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A SEVRES WHITE BISCUIT GROUP OF PYGMALION AND GALATEA

CIRCA 1763-66, INCISED F TO ROCK AT REVERSE

Details
A SEVRES WHITE BISCUIT GROUP OF PYGMALION AND GALATEA
CIRCA 1763-66, INCISED F TO ROCK AT REVERSE
Modelled by Falconet with Galatea standing naked on a circular plinth and beginning to open her eyes, a putto and Cupid seated on a cloud behind her, the putto kissing her right hand, Cupid behind her holding an arrow, Pygmalion kneeling with his hands clasped together in astonishment, his tools strewn at his feet, on a rectangular plinth base (minute chip to her right thumb, firing cracks)
14.5 in. (36.9 cm.) high
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.
Sale room notice
Please note that Galatea has been restored through her neck.

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Dominic Simpson
Dominic Simpson

Lot Essay

Sèvres began producing this group shortly after Falconet's original marble was exhibited in the 1763 Salon. This particular model must have been executed before Falconet's departure for Russia in 1766 as it bears his mark to the reverse. For a similar model and discussion of sales in the Sèvres archives see Marie-Noëlle Pinot de Villechenon, et al., Exhibition catalogue, Falconet á Sèvres ou l'art de laire, 1757-1766 (Paris, 2001), pp. 171-2, cat. no. 98b and p. 94, cat. no. 7 for the marble group of Pygmalion et Galatée or Pygmalion au pied de sa statue, á l'instant où elle s'anime (illustrated p. 40). The marble attracted great admiration and Diderot commented on Falconet's ability to capture the moment of Pygmalion's amazement: 'O la chose précieuse que ce petit groupe de Falconet...O Falconet comment as-tu fait pour mettre dans un morceau de pierre blanche la surprise, la joie et l'amour fondus ensemble'.

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