Few artists have achieved the success and celebrity of Pablo Picasso or been so instrumental in fashioning the public’s understanding of what art and the artist can be. By the end of his long life, Picasso had become the defining artist of his century. His career spanned nearly 80 years and numerous celebrated love affairs — and although he saw himself primarily as a painter, he had worked in almost every medium, from ceramics to theatrical design.
Born in Malaga in 1881, the young Picasso displayed a precocious talent that was fostered by his father, a university art teacher. At the age of 14 he was producing astonishingly accomplished works like Girl with Bare Feet (1895). Yet, as he was to say famously of his early training, ‘It took me four years to paint like Raphael, but a lifetime to paint like a child.’ It was Picasso’s quest for this playful, primal and childlike perspective that would come to define his work and have such a profound effect on the course of modern art.
His first success was forged at the tail end of Post-Impressionism, having settled in Montmartre, Paris, in the early 1900s. Following flirtations with Symbolism during his Blue and Rose Periods, he became increasingly influenced by Cezanne and then by non-Western art. In 1907 he produced his Primitivist masterpiece painting, Les Demoiselles d’Avignon (1907). By 1908, he and Georges Braque had taken Primitivism a step further with their development of Cubism. Beautifully exampled in Picasso’s Woman with Guitar (‘Ma Jolie’) (1911–12), Cubism tore up the rules of single-perspective representation that had defined art since the Renaissance. It was a revolutionary moment that would dictate the course of 20th-century art.
Picasso would live in France until his death in 1973, continuously inventing and responding to the ideas of the wider artistic world and producing some of the defining works of the 20th century. Guernica (1937), Les femmes d’Alger (Version ‘O’) (1955), his portraits of Dora Maar, his minotaur etchings, his salvage sculptures and ceramics all continue to stand as testament to his versatile and prolific talent. Picasso was businessman, genius and maverick in equal measure.
PABLO PICASSO (1881-1973)
Femme à la coiffe d'Arlésienne sur fond vert (Lee Miller)
PABLO PICASSO (1881-1973)
Grand vase aux danseurs (A.R. 114)
PABLO PICASSO (1881-1973)
Mère et enfant
PABLO PICASSO (1881-1973)
Vue de Notre-Dame de Paris
PABLO PICASSO (1881-1973)
Nature morte
PABLO PICASSO (1881-1973)
Etudes (Dora Maar, Marie-Thérèse Walter)
PABLO PICASSO (1881-1973)
Cruche hibou
PABLO PICASSO (1881-1973)
Etudes ( recto and verso )
PABLO PICASSO (1881-1973)
Oiseau et libellule
PABLO PICASSO (1881-1973)
Le Peintre (Tête)
PABLO PICASSO (1881-1973)
Picasso arrivant à Paris avec Jaume Andreu Bonsons
PABLO PICASSO (1881-1973)
Le bain turc
PABLO PICASSO (1881-1973)
Le Saltimbanque
PABLO PICASSO (1881-1973)
Le Bain
PABLO PICASSO (1881-1973)
Chevaux et jeune garçon
PABLO PICASSO (1881-1973)
Pierrot au loup
PABLO PICASSO (1881-1973)
Nu debout (Françoise)
PABLO PICASSO (1881-1973)
Portrait de famille
ILIAZD, Ilja Zdanevitch (1894-1975)
Poésie de Mots Inconnus. Poèmes de Akinsenoyin, Albert-Birot, Arp, Artaud, Audiberti, Ball, Beaudouin, Bryen, Derme, Hausmann, Huidobro, Iliazd, Jolas, Khlebnikov, Krutchonykh, Picasso, Poplavsky, Schwitters, Seuphor, Terentiev, Tzara. Paris: Le Degré 41 [Iliazd], [1949].
PICASSO, Pablo (1881-1973) et Max JACOB (1876-1944)
Le Siège de Jérusalem. Grande tentation céleste de Saint Matorel . Paris : Paul Birault pour Henry Kahnweiler, 1914.
PICASSO, Pablo (1881-1973) et Max JACOB (1876-1944)
Le Cornet à dés. Paris : [chez l'auteur, 1917].
PICASSO, Pablo (1881-1973) et Honoré de BALZAC (1799-1850)
Le Chef-d'oeuvre inconnu . Paris : Ambroise Vollard, 1931.
PICASSO, Pablo (1881-1973) et OVIDE (Ier siècle av.-Ier siècle ap. J.-C.)
Les Métamorphoses . Lausanne : Albert Skira, 1931.
PICASSO, Pablo (1881-1973) et Paul ÉLUARD (1895-1952)
La Barre d’appui. Paris : Éditions “Cahiers d’Art”, 1936.
PICASSO, Pablo (1881-1973) et Paul ÉLUARD (1895-1952)
Au Rendez-vous allemand. Paris : Aux Éditions de Minuit, 1944.
PICASSO, Pablo (1881-1973) et Luis de GONGORA Y ARGOTE (1561-1627)
Vingt poèmes . Paris : les grands peintres modernes et le livre, 1948.
PICASSO, Pablo (1881-1973) et Ilia Zdanevitch, dit ILIAZD (1894-1975)
Le Frère mendiant o Libro del Conocimiento. Los viajes en Africa publicados antiguamente por Bergeron Margry y Jimenez de la Espada e ilustrados ahora y compaginados por Pablo Picasso e Iliazd. [Paris :] Latitud Cuarenta y Unos [Le Degré Quarante et Un], 19 mai 1959.
PICASSO, Pablo (1881-1973) et Fernando de ROJAS (c. 1475-1541)
La Célestine . Paris : éditions de l’atelier Crommelynck, 1971.
PABLO PICASSO (1881-1973)
Minotaure aveugle guidé par une Fillette, II, from La Suite Vollard
Pablo Picasso (1881-1973)
Les femmes d'Alger (Version 'O')
巴布羅·畢卡索 (1881-1973)
《拿著花籃的女孩》
Pablo Picasso (1881-1973)
Nude, Green Leaves and Bust
巴布羅·畢加索(1881 - 1973)
《坐在窗邊的女子(瑪麗·特雷斯)》
Pablo Picasso (1881-1973)
Buste de femme (Femme à la résille)
Pablo Picasso (1881-1973)
Portrait d'Angel Fernández de Soto
PABLO PICASSO (1881-1973)
Tête de femme (Fernande)
巴布羅.畢卡索 (1881-1973)
靜坐的藍袍女子
PABLO PICASSO (1881-1973)
Femme endormie
PABLO PICASSO (1881-1973)
Nature morte à la fenêtre
巴布羅.畢卡索
抱膝坐著的女子 (杰奎琳)
巴布羅·畢加索(1881 - 1973)
《火槍手與煙斗II》
巴布羅.畢卡索 (1881-1973)
坐在扶手椅上的女人
Pablo Picasso (1881-1973)
La Lampe
Pablo Picasso (1881-1973)
Femme dans un fauteuil
巴布羅·畢加索(1881-1973)
《阿爾及爾的女人(F版)》
Pablo Picasso (1881-1973)
Femme assise, robe bleue
Pablo Picasso (1881-1973)
Claude et Paloma
Pablo Picasso (1881-1973)
Femme au costume turc dans un fauteuil