JEFF WALL (B. 1946)
JEFF WALL (B. 1946)

Insomnia

Details
JEFF WALL (B. 1946)
Insomnia
cibachrome transparency in light box
68 x 84¼in. (172.7 x 214cm.)
Executed in 1994, this work is from an edition of 2
Literature
T. de Duve et al., "Jeff Wall", London 1996, pp. 61, 66-67, (illustrated in colour).
Exhibited
Tilburg, De Pont Stichting voor hedendaagse Kunst, "Jeff Wall", Oct.-Feb. 1995, (another from the edition illustrated in the catalogue in colour).
Chicago, Museum of Contemporary Art, "Jeff Wall", June-Aug. 1995 (another from the edition illustrated in the catalogue in colour, p. 77, detail pp. 78-79). This exhibition travelled to Paris, Galerie Nationale de Jeu de Paume; Helsinki, Museum of Contemporary Art and the Finnish National Galler; London, Whitechapel Art Gallery.
Wolfsburg, Kunstmuseum, "Jeff Wall, Landscapes and Other Pictures", 1996, no. 17 (another from the edition illustrated in the catalogue in colour, p. 65).
Washington, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, "Jeff Wall", Feb.-May 1997 (illustrated in the catalogue). This exhibition travelled to Museum of Contemporary Art, Los Angeles and Japan, Art Tower Mito.

Lot Essay

"'Insomnia' is an interior. One of the things that was in my mind in terms of the subject matter was the following little thought: when the prince can't sleep, the whole city is worried. When powerful people suffer, when powerful forces are troubled, it affects everyone's life. but what happens when the most insignificant and powerless people suffer from the same troubles, what implications might there be? I don't necessarily know, but that was the animating thought for making this picture. I can't talk about my pictures as if they were prose poems, it's the only other really close analogy I can think of to the way I think about my work and the way I try to work, that is, there's a theme, it means something to me, it has implications of some kind, I can't forget it, and it crosses over at some point with a pictorial possibility which in itself has some kind of artistic value, I hope. This picture is one of a group of pictures I've done over the years of unimportant people in unhappy states of mind - bitterness, rage, sadness, defeat of one kind or another. ("transcript 2", Issue 3, p. 15.)

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