Thomas Butler (fl. 1750-1759)

Ireland beating England over the Beacon Course at Newmarket, 18 April 1759

Details
Thomas Butler (fl. 1750-1759)
Ireland beating England over the Beacon Course at Newmarket, 18 April 1759
signed and extensively inscribed 'IRELAND: Was Bred by The Right Honble. WILLIAM HENRY FORTESCUE Esqr. in the County of Louth and got by BAJAZET: HIS DAM BY CARTOUCH; His Grand Dam by The HAMPTON COURT CHILDERS Out of the Famous SOPHONISBA Who was Thrice Sold for FIVE-HUNDRED GUINEAS and got by DYER'S DIMPLE On the 27th April 1758 he won a SWEEPSTAKES of THREE HUNDRED and FIFTY GUINEAS on the CURRAGH: On the 18th of April 1759 He Beat the DUKE OF BRIDGEWATER'S Horse ENGLAND Over the Beacon Course at NEWMARKET for TWO-THOUSAND GUINEAS: Taken from the Life: Thos. Butler and in April 1760 the DUKE OF BRIDGEWATER'S ENGLAND paid two Hundred and fifty GUINEAS forfeit to Him: and the DUKE OF GRAFTON'S TATLER paid two: Hundred & fifty GUINEAS forfeit to Him in May 1760' (lower right)
oil on canvas
26 x 40 in. (66.6 x 101.6 cm.)
Provenance
Purchased from Arthur Ackermann & Son Ltd., London, September 1933.
Exhibited
London, Hayward Gallery, Arts Council of Great Britain, British Sporting Painting 1650-1850, 1974, no.37.

Lot Essay

Named Louth when he won for Mr Fortescue at the Curragh in 1758, Ireland was presumably renamed for this match, with the horses' names reflecting what would have been a form of international event - this may also explain the match's unusually high stake of 2,000 guineas. Foaled in 1754, Ireland was said to have belonged to Mr Maxwell at the time of this match, which was run during the Newmarket Spring meeting of 1759. England was by Oroonoko and is depicted in the 3rd Duke of Bridgewater's colours of Garter Blue.

Thomas Butler was principally a businessman, advertising that he and his assistants would paint 'Horses, dogs, living and dead game, views of hunting etc., in order to compose sporting pieces for curious furniture in a more elegant and newer taste than has been yet'. It is not known for certain who worked in Butler's studio but, stylistically, it seems possible that this picture is by Francis Sartorius (1734-1804).

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