Cornelis Ploos van Amstel (1726-1798)
Cornelis Ploos van Amstel (1726-1798)

Roses, carnations, a lily and other flowers in an urn decorated with putti on a stone ledge; and Grapes, plums and peaches and other fruit in a basket on marble ledge (L.N.P. 66-67)

Details
Cornelis Ploos van Amstel (1726-1798)
Roses, carnations, a lily and other flowers in an urn decorated with putti on a stone ledge; and Grapes, plums and peaches and other fruit in a basket on marble ledge (L.N.P. 66-67)
(1) signed, dated and inscribed 'Geoffreerd aan mynen Waarde Vriend ! den WEd. Heere Hemsterhuis, in's boven/Blyvende UwEd. Dienaar & Vriend ! C Ploos van Amstel Amsterdam 24 maart 1779 Deze Prent Naar de Origineelen Teekening van Jan van Huyzum, gemaakt onder directie van den kunstlievende heer L. ten Kate voor de Heer Vorsterman nu berustende in de verzameling van tekeningen behoorende Corn. Ploos van Amstel H- te Amsterdam. Welke dit kunststuk op de helft verklynd, in't koper heeft gebragt en vervolgens op de helft der kragt in kleuren met Water Sapverven, dus verre gevolgt heeft. tot eene proeve van kleurmenging en schikking.' (verso); (2) signed, dated and inscribed 'Geoffereerd aan mijne Waarde Vriend! 11 Ap. 1780 Hemsterhuis in s bayen Door zijn Ed. Dienaar en vriend GPloosvan Amstel Naar de Origineele Teekening gekleurd EvW - aqua forte fecit 1780'
etchings printed in brown, after Jan van Huysum, trimmed inside the platemarks but well outside the image, handcoloured, (2) fragmentary watermark Strasburg lily, framed
290 x 225 mm. (2)
Provenance
By descent in the family of the present owner since before 1940.

Lot Essay

Based on the watercolours of Jan van Huysum in the Collection of Ploos van Amstel, these etchings are known to have been first published in 1777. The inscriptions (versi) indicate that Ploos van Amstel coloured these by hand himself, and presented them to his close friend, the philosopher, writer and collector Frans Hemsterhuis (see L. Brummel, Frans Hemsterhuis, een philosofenleven, Haarlem, 1925). The last lines of the inscription on (2) may indicate that not Ploos van Amstel, but Elisabeth van Woensel, aunt of the artist Petronella van Woensel (1785-1839), was the author of these etchings. Ploos was Elisabeth's guardian, and she and her niece are known to have worked with him (T. Laurentius, J. Niemeijer, G. Ploos van Amstel, Cornelis Ploos van Amstel 1726-1798, Kunstverzamelaar en prentuitgever, Assen, 1980, p. 116).

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