Alfred William Hunt, R.W.S. (1830-1896)
Alfred William Hunt, R.W.S. (1830-1896)

Naples: 'A Land of Smouldering Fire' view looking from Naples across the bay to Vesuvius in eruption, evening sky

Details
Alfred William Hunt, R.W.S. (1830-1896)
Naples: 'A Land of Smouldering Fire' view looking from Naples across the bay to Vesuvius in eruption, evening sky
signed and dated 'AW HUNT 1871' (lower left)
pencil and watercolour with gum arabic heightened with touches of bodycolour and with scratching out
19½ x 29.5/8 in. (49.5 x 75.3 cm.)
Provenance
Humphrey Roberts; Christie's London, 23 May 1908, lot 254 (56 gns. to Dunthorne).
Anon. sale, Christie's London, 16 October 1981, lot 4 (to the present owner).
Exhibited
London, Royal Society of Painters in Watercolours, 1871, Summer exhibition, no. 70.
Wrexham, Art Treasures Exhibition, 1876, no. 690.
London, The Fine Art Society, Exhibition of Pictures and Drawings by Alfred W. Hunt, 1884, no. 30.
Manchester, Royal Jubilee Exhibition, 1887, no. 1268, as 'Bay of Naples'.
Liverpool, Walker Art Gallery, Memorial Exhibition of Pictures by Alfred W. Hunt, 1897, no. 150.
London, Burlington Fine Arts Club, Exhibition of Drawings in Watercolour by Alfred William Hunt, 1897, no. 76.
Glasgow, Glasgow International Exhibition, 1901.
London, Royal Academy, Exhibition of Works by British Artists deceased since 1850, Winter 1901.
London, Royal Academy, The Great Age of British Watercolours, 15 January - 11 April 1993, no. 176, exhibition catalogue, pl. 326, illustrated in colour.

Lot Essay

Humphrey Roberts, who originally owned this watercolour, was among Hunt's most loyal patrons during the artist's lifetime. In her essay in the Old Water-Colour Society's Club, Violet Hunt discusses her father's technique of scraping and sponging the paper and mentions that 'drawings that have suffered peine forte et dure are among the most cherished assets of certain private collections, such as those of Mr. Newall and Mr. Humphrey Roberts' (V. Hunt, 'Alfred William Hunt', Old Water-Colour Society's Club, vol. II, London, 1824-1825, p. 32).

A sepia drawing of the same title was exhibited at the Burlington Fine Arts Club, 1897, no. 121, and was sold in these Rooms from the Newall Collection, 14 December 1979, lot 204.

The Bay of Naples, extending from Cumae to Sorrento, is the most beautiful and celebrated Italian gulf. This view is from Mergellina at the foot of the Posillipo hillside, looking towards Vesuvius, one of the few volcanoes in Europe that are still active. In the foreground is the Castel dell'Ovo, an Angevin castle which acquired its name probably because of its vaguely ovoid shape.

Until the famous eruption of 29 AD, which buried Herculaneum and Pompeii, Vesuvius seemed extinct. Since then there have been many eruptions. Hunt would have seen Vesuvius active as the volcano erupted from December 1870 to April 1872. The eruption of 1944 altered the shape of the crater, and the large plume of smoke seen in paintings of the eighteenth and nineteenth centuries disappeared.

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