A GERMAN SILVER-GILT MOUNTED ROCK CRYSTAL BOWL AND COVER
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A GERMAN SILVER-GILT MOUNTED ROCK CRYSTAL BOWL AND COVER

CIRCA 1560, APPARENTLY UNMARKED

Details
A GERMAN SILVER-GILT MOUNTED ROCK CRYSTAL BOWL AND COVER
Circa 1560, apparently unmarked
On corded base with scalloped border above, the underside of the bowl inset with a uni-faced medallion of Samson bearing the gates of Gaza visible in the interior, the lower part of the vase-shaped crystal body cut with lobes, the upper part with flutes, the border to the fluted domed cover cast and chased with masks at intervals within scroll cartouches, with strapwork and fruit festoons between, the finial formed as Samson wrestling the lion, standing on waisted crystal pedestal
6½ in. (16.5 cm.) high
Provenance
Sir Julius Wernher, 1st Bt. (1850-1912), Bath House, London, in the Red Room, by whom bequeathed, with a life interest to his widow, Alice, Lady Wernher, subsequently Lady Ludlow (1862-1945), to their son
Sir Harold Wernher, 3rd Bt., G.C.V.O. (1893-1973), Bath House, London, and from 1948, Luton Hoo, Bedfordshire, and by descent.
Literature
1913 Bath House Inventory, p. 35, no. 196, in the Red Room, in the 'large glazed case near door - Right Hand Division', erroneously describing the finial as 'Hecules and the Nemaean Lion'.
1914 Wernher Inventory, p. 35, no. 185, also erroneously describing the finial as 'Hercules and Nemaean Lion'.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

The finial is formed as Samson demonstrating his super-human strength by slaying a young lion that roared at him. He is shown forcing open the jaws of the animal. The medallion in the base of the bowl is chased with a scene of Samson carrying the city gates of Gaza. The Philistines had planned to ambush him at dawn at the city gates, when they knew he would take leave of a prostitute with whom he regularly spent the night. Samson however outwitted them by getting up at midnight. He wrenched up the city gates and the two gate posts and carried them thirty miles to a hilltop near Hebron.

In the Late Medieval and Renaissance periods both these actions by Samson were seen as prefiguring those of Christ. The wrenching of the jaws was seen as foreshadowing Christ's descent into Hell and opening the gates to release the Just, who had died before the Incarnation. The carrying of the gates by Samson presaged Christ bearing the Cross on the Via Dolorosa and the Resurrection, when He burst forth from the tomb (V. Metford, Dictionary of Christian Lore and Legend, London, 1985).

This covered rock crystal bowl is of exceptional quality and may well have been a royal commission. In the same way that Hercules was 'adopted' by King François I in France as a symbol of his power and authority, it seems likely that Samson would have been similarly adopted by one of the German monarchs, particularly in a time of intense religious conflict.

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