A FEDERAL INLAID MAHOGANY SECRETARY DESK
PROPERTY OF A PHILADELPHIA FAMILY
A FEDERAL INLAID MAHOGANY SECRETARY DESK

ATTRIBUTED TO THE SHOP OF JOHN AND THOMAS SEYMOUR (W. 1794/96-1804), BOSTON, CIRCA 1800

Details
A FEDERAL INLAID MAHOGANY SECRETARY DESK
Attributed to the shop of John and Thomas Seymour (w. 1794/96-1804), Boston, circa 1800
In two sections: the upper with a rectangular top with banded and inlaid edges above a conforming case fitted with veneered and string-inlaid doors flanked by veneered pilasters opening to a compartmented interior fitted with four valanced pigeonholes flanked by three stacked short drawers, all over two sets of two stacked drawers; the lower with a conforming applied molding fronted by a downward slanting hinged writing surface above a rectangular case fitted with three veneered and string-inlaid long drawers over a banded skirt, on square tapering legs with inlaid reserves and outset cuffs embellished with banding and geometric inlay, with transitional spade feet
51in. high, 41in. wide, 24in. deep
Provenance
Israel Sack, Inc., New York City, 1972
Literature
Sack, American Antiques from Israel Sack Collection, Vol. 3, (1970), p. 688.

Lot Essay

Exhibiting delicate proportions and features distinctive to Seymour forms, this desk is a fine example of sophisticated Federal furniture produced in Boston in the late 18th and early 19th centuries.
John Seymour and his son Thomas emigrated from England to Portland, Maine in 1785, moving to Boston in 1794. These eminent Boston cabinetmakers seamlessly integrated materials, pattern and meticulous workmanship creating beautiful forms. They introduced to Boston the refinement of English standards of craftmanship, veneer use and neoclassic design.

The aspects of construction and decoration within this desk are consistent with labelled and attributed Seymour examples. Similar attributed examples are illustrated in Stoneman, John and Thomas Seymour Cabinetmakers in Boston 1794-1816 (Boston, 1959), pp. 64 and 98. Highly characteristic of Seymour cabinetmaking, evident here, is the use of rosewood banding, fine dovetails, numbered interior drawer bottoms, blue-green painted pigeonholes, cockbeading set into drawer fronts, sloping fall front lid and transitional spade feet. The inlay used on this desk is recorded on the sample page of inlays found in New England (Stoneman, p. 372).

More from Important American Furniture, Folk Art and Decorative Arts

View All
View All