Margot Fonteyn And Tito Arias
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Margot Fonteyn And Tito Arias

Details
Margot Fonteyn And Tito Arias
A black and white portrait photograph by Anthony, of Fonteyn dancing in Les Sylphides, circa 1937, signed and inscribed by subject in black ink For my dear Tito from Margot, with photographer's signature in margin and ink credit on reverse, additionally inscribed on reverse in pencil in Fonteyn's hand Given To Tito About 1937 or 1938 -- 12x9in. (30.5x22.8cm.); a hand-painted thank you card made by Gwendoline Poston and signed by thirty-six members of the Opera House production and working wardrobe deparments; and approximately six hundred photographs and snap-shots of Fonteyn, Tito and their families, circa 1930s-1980s, by various photographers including Fayer, Blackstone, Jennie Walton, Felix Fonteyn, including two shots by Cecil Beaton of Margot and Tito, with photographer's ink stamp on reverse, both -- 8¼x8½in. (21x21.6cm.), majority press, including a number of duplicate images, subjects include: portraits of Tito as a teenager, a young man at Cambridge, on holiday together in the South of France before their marriage; fifty-five photographs of their wedding day, including a number of duplicates, the majority by Felix Fonteyn or press stills including: official portraits of Margot and Tito, the wedding ceremony in Paris, the wedding party on the stage at the Royal Opera House, Covent Garden, February 24th, 1955; and various shots taken of them during their honeymoon in the Bahamas; press stills covering Tito's appointment as Panamanian ambassador to London, shots of the couple at home, political campaigns in Panama, Tito's arrival in London following his partial paralysis after being shot in Panama, Fonteyn and Tito after various shows, the couple with friends and relatives, largest -- 12x10in. (30.5x25.4cm.) (a lot)
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

In her autobiography Fonteyn recalls meeting and falling in love with Tito Arias in Cambridge in 1937 where she was dancing with the Vic-Wells Ballet in May of that year, and where he was at University. She recounts how she was unsure of his feelings for her, but felt that hers for him were far stronger, for this reason she agonized over the dedication she wrote for him on this photograph ....I lived on a cloud until he sailed for Panama to spend the long vacation at home. He had given me a Panamanian coin bearing the date 1936, the last year of his father's second presidency. I gave him a photograph, dedicated in my tiny shy handwriting, and, after much consideration, with the words 'For my dear Tito from Margot.' I was deeply concerned that the message should not overstate the feeling for him that it would be correct for me to hold, in view of the fact that he had not expressed the degree of his regard for me. On the other hand, I did not want to understate my love in case he should think I did not care at all... Seventeen years later, after barely keeping in contact for fifteen years, Margot and Tito were married on February 6th, 1955.

See lot 26

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