Kitagawa Utamaro (1754-1806)
Kitagawa Utamaro (1754-1806)

Kitagawa Utamaro (1754-1806)

Details
Kitagawa Utamaro (1754-1806)
Three prints from the series Joshoku kaiko tewaza-kusa (Women engaged in the sericulture industry), comprising "The emergence of the moths, no.7," depicting two girls watching moths lay their eggs on a piece of paper, another standing and looking at the scene; "Watching moths, no. 8," depicting two women and their children watching flying moths in the evening; "Weaving the silk, no.12," depicting a woman seated before a loom about to throw the shuttle, two assistants standing beside, all signed Utamaro hitsu and published by Tsuruya Kinsuke--good impressions, slightly faded, lightly backed, restorations, pin holes
oban tate-e: 38.2 x 25.2cm. each approx. (3)

Lot Essay

These are genre scenes showing the stages of sericulture, traditionally women's work. It is a series of twelve designs, each sheet individually numbered from one to twelve, which in fact form a complete twelve-sheet composition. According to Asano Shugo and Timothy Clark, the color scheme emphasizes purple (and avoids red) in the so-called "purple picture" (murasaki-e) manner. The text, written within cloud-shaped borders at the top of each print, is taken verbatim from the series of twelve chuban prints designed by Katsukawa Shunsho and Kitao Shigemasa c.1772, Kaiko yashinai-kusa (see lot 8). The illustrations, on the other hand, are not copied so closely. In the collection of the Tokyo National Museum, there are proof prints (kyogo-zuri) for the key-blocks of nos. 3 and 6 of this series.

Other impressions of the complete set are held in the Musées Royaux d'Art et d'Histoire, Bruxelles; The Art Institute of Chicago; Elvehjem Museum of Art, University of Wisconsin-Madison.

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