PATHÉ CINEMATOGRAPHIC CAMERA, CIRCA 1910
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PATHÉ CINEMATOGRAPHIC CAMERA, CIRCA 1910

Details
PATHÉ CINEMATOGRAPHIC CAMERA, CIRCA 1910
Pathé Frères, Paris; 35mm., hand-cranked, with a leather covered wood-body stamped no. 1600, two external mounted 400ft film magazines with velvet light traps, footage counter with silvered scale, metal box-type finder, spirit level, lens shade, through the lens finder, circular dial with pointer for focus adjustment, the film chamber with an intermittent drive activating a reciprocating arm and claw movement, internal plate engraved X 1600, an E. Krauss, Paris Tessar f/3.5 50mm. lens no. 125279, lens hood, yellow filter and two matte plates with cut-outs for creating special effects
Literature
Brian Coe (1981), The History of Movie Photography p. 84.
Peter Ariel (1989), Ariel Cinematographic Register, Band 4, no.1026.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

This classic studio camera was first sold in 1910; it was a favourite of American cameramen such as Billy Bitzer, who shot many of the D.W. Griffith's film features and became an icon in the early years of Hollywood. This type of camera became so popular with cameramen throughout the world that it was used on more films at the time than any other motion picture camera prior to the outbreak of the world war one.
Mechanical: Working but accuracy of shutter (usually at slow speeds) questionable.

As a result many were heavily used or upgraded and examples in good condition are difficult to find.

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