A LATE LOUIS XV ORMOLU-MOUNTED SEVRES 'BLEU NOUVEAU' PORCELAIN URN MANTEL CLOCK
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A LATE LOUIS XV ORMOLU-MOUNTED SEVRES 'BLEU NOUVEAU' PORCELAIN URN MANTEL CLOCK

CIRCA 1765, THE MOVEMENT SIGNED 'MABILLE A PARIS'

Details
A LATE LOUIS XV ORMOLU-MOUNTED SEVRES 'BLEU NOUVEAU' PORCELAIN URN MANTEL CLOCK
Circa 1765, the movement signed 'Mabille a Paris'
The circular glazed enamelled dial with both Roman and Arabic numerals, the entrelac bezel surmounted by a ring suspended by drapery swags held by cockerel's heads, the ropetwist and fluted collar surmounted by a domed cover with cooing doves on a cloudburst, the foliate and fluted tapering base with guilloche panels above a fluted socle and ribbon-tied laurel collar, the concave-cornered stepped plinth with milles raies and entrelac panels, on a square stepped panelled base with entrelac and rosette, the porcelain cover repaired, the socle probably originally with swagged chains, the movement signed Mabille à Paris, the bell with scratched inscription B6
27in. (68.5cm.) high, 10½in. (26.5cm.) wide
Provenance
Probably the Wynn Ellis Collection, sold Christie's London, 5 May 1876, lot 117 (440 gns.; £462 to King).
The Bensimon Collection, sold Couturier Nicolay, Paris, 18 November 1981, lot 118.
Roberto Polo, sold Sotheby's New York, 3 November 1989, lot 27 ($38,500).
The collection of Monsieur and Madame Djahanguir Riahi, sold Christie's New York, 2 November 2000, lot 44 ($67,500).
Special notice
On occasion, Christie’s has a direct financial interest in lots consigned for sale. This interest may include guaranteeing a minimum price to the consignor which is secured solely by consigned property. This is such a lot.

Lot Essay

Several clocks of this model - probably including this example - are recorded in the 18th Century. The first, listed in the de Verrier sale in Paris, 18 November 1776, was also illustrated by Saint-Aubin in the margin of his own copy of the catalogue. The second was sold by the collector Sylvestre in Paris on 16 November 1778:- 169 une pendule renferme dans un vase d'ancienne porcelaine du Japon bleu foncé, elle est garnie de deux têtes de coq et autres ornements en bronze doré d'or moulu.
The last, forming the centrepiece of a chimney-garniture - as did that in the de Verrier sale - is described in the Inventory drawn up following the death of Dupleix de Bacquencourt in 1785. Placed in salon no. 118 were trois vases en urne dont un formant pendule sonnant et marquant les heures, de porcelaine de Sèvres, lapis monté en cuivre doré or moulu, 900 livres.
One of these three clocks - their horlogers frustratingly unrecorded - in all probability corresponds directly with the example in this lot. Most pertinently, Saint Aubin's sketch illustrates an identical clock.
Interestingly, the catalogue for the 1798 sale which took place in what is now the Palais d'Elysée included une pendule du nom de Mabille, placée dans un vase de porcelaine de la Chine, fond bleu turque, ornements de bronze doré.

MABILLE

The horloger Mabille (1734-1800), appointed ouvrier-libre around 1775 in the rue des Boucheries Saint-Germain, worked for the marchand-mercier Antoine Machard in 1777 and for the doreur M.F. Noël in the following year. His oeuvre, of exceptional important marchands-merciers, such as Simon-Philippe Poirier.
Clocks by Mabille are recorded in the collections of the marquise de Laval, the marquis de Chabrillan and the Prince de Condé, as well as the financiers Levasseur and Douet de la Boullaye.

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