Pablo Picasso (1881-1973)
No VAT will be charged on the hammer price, but VA… Read more THE PROPERTY OF A PRIVATE EUROPEAN COLLECTOR
Pablo Picasso (1881-1973)

Le Repas frugal (Bloch 1; Geiser/Baer 2II a 2)

Details
Pablo Picasso (1881-1973)
Le Repas frugal (Bloch 1; Geiser/Baer 2II a 2)
etching in greenish-black, 1904, on vergé d'Arches, a very fine impression of this rare print, with careful wiping providing strong contrasts yet retaining a veil of tone, especially evident together with wiping scratches at the plate edges and in the corners, bears signature, with wide margins, a small and unobtrusive printing crease in the man's forehead, pale mount-staining and mottling showing through in places from the reverse, an unobtrusive central horizontal fold showing only in a raking light, a short nick at the top sheet edge not effecting the subject, occasional pale staining and surface dirt in the margins, otherwise generally in good condition
P. 462 x 380mm., S. 585 x 440mm.
Provenance
Acquired from the artist by the uncle of the previous owner, 1905
Anonymous sale, Christie's London, 2nd December, 1982, lot 168 (The Property of a Continental Collector)
Purchased from the above sale by the present owner
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

Baer records four trial proofs and five dedicated impressions printed by Delâtre in 1904-05, the earliest impression bearing a dedication to Junyent and dated September 1904. She suggests that there may have been around thirty impressions in this printing, some of which were signed or numbered and a number of which bear dedications.

Picasso had executed only one etching prior to Le Repas frugal: in 1899 he produced El Zurdo under the guidance of Ricardo Canals. Canals was also in Paris in 1904 and may have encouraged Picasso in the production of the present plate. The zinc plate had been used before, by another artist, and traces of landscape can be discerned at the upper right, although these tend to show more prominently in the impressions from the steel faced edition published by Vollard in 1913.
The plate was printed by the master-printer Eugene Delâtre who also printed the fourteen other La Suite des Saltimbanques in 1905 in correspondingly small editions for Clovis Sagot and Père Soulier, some of which have been exhibited at the Galleries Serrurier, Transchel, Gerardin et Picasso, February 25th-March 6th, 1905.

More from Old Master, Modern and Contemporary Prints

View All
View All