John Atkinson Grimshaw (1836-1893)
John Atkinson Grimshaw (1836-1893)

On the Esk, Whitby

Details
John Atkinson Grimshaw (1836-1893)
On the Esk, Whitby
signed and dated 'Atkinson Grimshaw 1877+' (lower right); and further signed, inscribed and dated 'On the Esk. Whitby Atkinson Grimshaw 1877' (on the reverse)
oil on board
11¾ x 17½ in. (29.2 x 44.4 cm.)
Provenance
Anon. sale; Sotheby's, London, 21 March 1972, lot 199 (£650).
Anon. sale; Christie's, London, 5 October 1973, lot 1206 (£900 to Copenhagen Trading).
Anon. sale; Sotheby's, London, 25 October 1977, lot 190 (£2,100).
Anon. sale; Christie's, New York, 31 October 1980, lot 202 (£4,060).

Lot Essay

In the late 1870s Grimshaw built himself a house near Scarborough. The local fishing port of Whitby, with its distinctive skyline, became a favourite subject. Whitby Harbour by Moonlight (1867) is reputed to be his first night landscape. It is a panoramic view, both ambitious in scale and meticulous in treatment, looking across towards the swing bridge. On the Esk, Whitby takes a different perspective, with the ruins of Whitby Abbey silhouetted on the middle horizon. (Bram Stoker recognised its eerie portent - 'a most noble ruin, of immense size' - and it figures prominently in his 1897 novel Dracula). The stretch of mud bank in the foreground is unusual within Grimshaw's oeuvre; the picture is also quite impressionistic in style, and especially evocative of his friend James McNeill Whistler's nocturnes.

We are grateful to Alex Robertson for his help in preparing this catalogue entry.

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