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The Saint And Various TV Series, 1962-1992
A collection of scripts, stills and correspondence, including ninety-two shooting scripts, all mimeographed typescript with title page signed by Roy Ward Baker, all annotated with Baker's notes on direction and minor script changes in black ink, blue ballpoint pen or pencil, all with additional pages of Cast Lists and Unit Lists, some with file copies of memos and correspondence relating to the production, casting advice notes and production progress reports, titles comprise:
- Zero One: The Million Dollar Lift, 1962, dated 25th October, 1961, 39pp; And Sari Makes Three, 1963, dated 31st October, 1961, 34pp;
- The Saint: Teresa, 1963, 60pp; Luella, 1964, 66pp; The Good Medicine, 1964, 67pp; The Scorpion, 1964, 65pp; The Inescapable Word, 1965, 60pp; The Frightened Inn-Keeper, 1966, 62pp; The Helpful Pirate, 1966, 75pp; The Queen's Ransom, 1966, 76pp; The Fiction Makers, 1968, Parts One and Two, 69pp. and 72pp. respectively; Little Girl Lost, 1966, 71pp; Flight Plan, 1966, 72pp; Recoil [The Persistent Patriots], 1967, 59pp; Framed [The Art Collectors], 1967, 66pp; Simon And Delilah, 1967, 69pp; Legacy For The Saint, 1968, 71pp; The Time To Die, 1968, 64pp; accompanied by a black and white still of Roger Moore and Roy Ward Baker -- 8x10in. (20.3x25.4cm.) foam-backed;
- The Return Of The Saint: Yesterday's Hero, 1978, 70pp; Tower Bridge Is Falling Down, 1978, 73pp, majority with paper cover and title page printed with The Saint motif;
- The Human Jungle: Conscience On A Rack, 1965, dated January, 1964, 66pp; Solo Performance, 1965, dated February, 1964, 88pp; Enemy Outside, 1965, dated February, 1964, 87pp; Heartbeats In A Tin Box, 1965, dated April, 1964, 87pp; Dual Control, 1965, dated April, 1964, 47pp; The Quick And The Dead, 1965, dated May, 1964, 49pp; Skeleton In The Cupboard, 1965, dated May, 1964, 52pp; The Man Who Fell Apart, 1965, dated June, 1964, 51pp.; accompanied by four corresponding black and white stills, majority -- 8x10in. (20.3x25.4cm.), some foam-backed;
- Gideon's Way: The White Rat, 1965, 72pp; The Firebug, 1965, 64pp; Subway To Revenge, 1965, 60pp;
- The Avengers: seven black and white stills, majority -- 10x8in. (25.4x20.3cm.), some foam-backed;
- The Baron: There's Someone Close Behind You, 1966, 65pp; The Long, Long Day, 1967, 67pp; Night Of The Hunter, 1967, 70pp; The Man Outside, 1967, 65pp;
- The Champions: Nutcracker, 1969, 68pp; Autokill, 1969, 70pp;
- Randall & Hopkirk, Deceased: But What A Sweet Little Room, 1969, 70pp; Who Killed Cock Robin, 1969, 75pp;
- Department S: The Pied Piper Of Hambledown, 1969, 71pp; - Journey To The Unknown: The Indian Spirit Guide, 1968, 62pp;
- Foreign Exchange: Part One: Die Ignorant, Die Happy, 1970, 113pp; Part Two: Private I, 1970, 110pp;
- The Persuaders: Read And Destroy, 1972, 75pp; The Gold Napoleon, 1971, 79pp; Someone Like Me, 1971, 79pp; The Ozerov Inheritance, 1972, 82pp;
- Jason King: Wanna Buy A Television Series?, 1971, 73pp; A Royal Flush, 1972, 68pp; Zenia, 1972, 66pp; That Isn't Me It's Somebody Else, 1972, 71pp; Chess Game unscreened, 70pp.;
- The Protectors: The Big Hit, 1973, 45pp;
- Danger UXB: Just Like A Woman, 1979, 68pp; The Quiet Weekend, 1979, 72pp; Butterfly Winter, 1979, 47pp; accompanied by three corresponding black and white stills, all -- 10x8in. (25.4x20.3cm.);
- Sherlock Holmes And Doctor Watson: A Case Of High Security, 1984, 37pp; The Case Of The Body In The Case, 1984, 33pp; The Case Of The Deadly Tower, 1984, 33pp; The Case Of Smith And Smythe, 31pp; The Case of The Luckless Gambler, 33pp; - Minder: The Smaller They Are, 1979, 56pp; Aces High - And Sometimes Very Low, 1979, 56pp; The Dessert Song, 1980, 64pp; Whose Wife Is It Anyway?, 1980, 64pp; Why Pay Tax?, 1982, 64pp; Broken Arrow, 1982, 75pp; Second Hand Pose, 1984, 77pp; Around The Corner, 1984, 80pp; Return Of The Invincible Man, 1985, 78pp; Waiting For Goddard, 1985, 79pp; It's A Sorry Lorry, Morrie, 1989, 81pp; The Last Video Show, 1989, 79pp; An Officer And A Car Salesman, 1988, 104pp;
- The Flame Trees Of Thika: The Promised Land, 1981, 46pp; Hyenas Will Eat Anything, 1981, 45pp; Happy New Year, 1981, 46pp; The Fear Of God [Friends In High Places], 1981, 42pp; A Real Sportsman, 1981, 39pp; Safari, 1981, 42pp; The Drums Of War, 1981, 34pp; accompanied by a quantity of correspondence relating to the production including three autograph letters, signed, from John Hawkesworth complimenting Baker on the progress of the T.V. series;
- Q.E.D.: The Infernal Device, 1984, 63pp; The Limehouse Connection, 1984, 62pp; accompanied by two black and white stills of cast and crew, largest -- 8x10in. (20.3x25.4cm.);
- Irish R.M.: A Horse! A Horse!, 1984, 59pp; Oweneen The Sprat, 1984, 52pp; The Aussolas Martin Cat, 1984, 54pp; The Muse In Skebawn, 1984, 59pp; Major Apollo Riggs, 1985, 55pp; A Friend Of Her Youth, 1985, 56pp; In The Curranhilly County, 1985, 53pp; Lisheen Races, 1985, 67pp; The Devil You Know, 1985, 63pp; accompanied by six black and white stills, largest -- 8x10in. (20.3x25.4cm.); accompanied by a colour photograph of Baker on set -- 10x8in. (25.4x20.3cm.), the mount signed and inscribed by approximately forty-two members of cast and crew;
- Fairly Secret Army: Episode I [I've Got A Job For You], 24pp; Episode II [Odd Chaps, Women], 24pp; Episode III [This Could Be Extremely Dangerous, Sir], 26pp; Episode IV [One Mistake, Whole Caboosh Plughole], 25pp; Episode V [Ever Tried Making Love To A Marxist], 23pp; Episode VI [You're Going To Be A Hero, Harry], 24pp; Episode VII [Treacherous Chaps, Causes], 25pp; accompanied by a black and white still of Baker on set -- 8x10in. (20.3x25.4cm.)
- The Good Guys: The Boys From Briarshill, 1990, 73pp; Relative Values, 1992, 93pp;
A collection of scripts, stills and correspondence, including ninety-two shooting scripts, all mimeographed typescript with title page signed by Roy Ward Baker, all annotated with Baker's notes on direction and minor script changes in black ink, blue ballpoint pen or pencil, all with additional pages of Cast Lists and Unit Lists, some with file copies of memos and correspondence relating to the production, casting advice notes and production progress reports, titles comprise:
- Zero One: The Million Dollar Lift, 1962, dated 25th October, 1961, 39pp; And Sari Makes Three, 1963, dated 31st October, 1961, 34pp;
- The Saint: Teresa, 1963, 60pp; Luella, 1964, 66pp; The Good Medicine, 1964, 67pp; The Scorpion, 1964, 65pp; The Inescapable Word, 1965, 60pp; The Frightened Inn-Keeper, 1966, 62pp; The Helpful Pirate, 1966, 75pp; The Queen's Ransom, 1966, 76pp; The Fiction Makers, 1968, Parts One and Two, 69pp. and 72pp. respectively; Little Girl Lost, 1966, 71pp; Flight Plan, 1966, 72pp; Recoil [The Persistent Patriots], 1967, 59pp; Framed [The Art Collectors], 1967, 66pp; Simon And Delilah, 1967, 69pp; Legacy For The Saint, 1968, 71pp; The Time To Die, 1968, 64pp; accompanied by a black and white still of Roger Moore and Roy Ward Baker -- 8x10in. (20.3x25.4cm.) foam-backed;
- The Return Of The Saint: Yesterday's Hero, 1978, 70pp; Tower Bridge Is Falling Down, 1978, 73pp, majority with paper cover and title page printed with The Saint motif;
- The Human Jungle: Conscience On A Rack, 1965, dated January, 1964, 66pp; Solo Performance, 1965, dated February, 1964, 88pp; Enemy Outside, 1965, dated February, 1964, 87pp; Heartbeats In A Tin Box, 1965, dated April, 1964, 87pp; Dual Control, 1965, dated April, 1964, 47pp; The Quick And The Dead, 1965, dated May, 1964, 49pp; Skeleton In The Cupboard, 1965, dated May, 1964, 52pp; The Man Who Fell Apart, 1965, dated June, 1964, 51pp.; accompanied by four corresponding black and white stills, majority -- 8x10in. (20.3x25.4cm.), some foam-backed;
- Gideon's Way: The White Rat, 1965, 72pp; The Firebug, 1965, 64pp; Subway To Revenge, 1965, 60pp;
- The Avengers: seven black and white stills, majority -- 10x8in. (25.4x20.3cm.), some foam-backed;
- The Baron: There's Someone Close Behind You, 1966, 65pp; The Long, Long Day, 1967, 67pp; Night Of The Hunter, 1967, 70pp; The Man Outside, 1967, 65pp;
- The Champions: Nutcracker, 1969, 68pp; Autokill, 1969, 70pp;
- Randall & Hopkirk, Deceased: But What A Sweet Little Room, 1969, 70pp; Who Killed Cock Robin, 1969, 75pp;
- Department S: The Pied Piper Of Hambledown, 1969, 71pp; - Journey To The Unknown: The Indian Spirit Guide, 1968, 62pp;
- Foreign Exchange: Part One: Die Ignorant, Die Happy, 1970, 113pp; Part Two: Private I, 1970, 110pp;
- The Persuaders: Read And Destroy, 1972, 75pp; The Gold Napoleon, 1971, 79pp; Someone Like Me, 1971, 79pp; The Ozerov Inheritance, 1972, 82pp;
- Jason King: Wanna Buy A Television Series?, 1971, 73pp; A Royal Flush, 1972, 68pp; Zenia, 1972, 66pp; That Isn't Me It's Somebody Else, 1972, 71pp; Chess Game unscreened, 70pp.;
- The Protectors: The Big Hit, 1973, 45pp;
- Danger UXB: Just Like A Woman, 1979, 68pp; The Quiet Weekend, 1979, 72pp; Butterfly Winter, 1979, 47pp; accompanied by three corresponding black and white stills, all -- 10x8in. (25.4x20.3cm.);
- Sherlock Holmes And Doctor Watson: A Case Of High Security, 1984, 37pp; The Case Of The Body In The Case, 1984, 33pp; The Case Of The Deadly Tower, 1984, 33pp; The Case Of Smith And Smythe, 31pp; The Case of The Luckless Gambler, 33pp; - Minder: The Smaller They Are, 1979, 56pp; Aces High - And Sometimes Very Low, 1979, 56pp; The Dessert Song, 1980, 64pp; Whose Wife Is It Anyway?, 1980, 64pp; Why Pay Tax?, 1982, 64pp; Broken Arrow, 1982, 75pp; Second Hand Pose, 1984, 77pp; Around The Corner, 1984, 80pp; Return Of The Invincible Man, 1985, 78pp; Waiting For Goddard, 1985, 79pp; It's A Sorry Lorry, Morrie, 1989, 81pp; The Last Video Show, 1989, 79pp; An Officer And A Car Salesman, 1988, 104pp;
- The Flame Trees Of Thika: The Promised Land, 1981, 46pp; Hyenas Will Eat Anything, 1981, 45pp; Happy New Year, 1981, 46pp; The Fear Of God [Friends In High Places], 1981, 42pp; A Real Sportsman, 1981, 39pp; Safari, 1981, 42pp; The Drums Of War, 1981, 34pp; accompanied by a quantity of correspondence relating to the production including three autograph letters, signed, from John Hawkesworth complimenting Baker on the progress of the T.V. series;
- Q.E.D.: The Infernal Device, 1984, 63pp; The Limehouse Connection, 1984, 62pp; accompanied by two black and white stills of cast and crew, largest -- 8x10in. (20.3x25.4cm.);
- Irish R.M.: A Horse! A Horse!, 1984, 59pp; Oweneen The Sprat, 1984, 52pp; The Aussolas Martin Cat, 1984, 54pp; The Muse In Skebawn, 1984, 59pp; Major Apollo Riggs, 1985, 55pp; A Friend Of Her Youth, 1985, 56pp; In The Curranhilly County, 1985, 53pp; Lisheen Races, 1985, 67pp; The Devil You Know, 1985, 63pp; accompanied by six black and white stills, largest -- 8x10in. (20.3x25.4cm.); accompanied by a colour photograph of Baker on set -- 10x8in. (25.4x20.3cm.), the mount signed and inscribed by approximately forty-two members of cast and crew;
- Fairly Secret Army: Episode I [I've Got A Job For You], 24pp; Episode II [Odd Chaps, Women], 24pp; Episode III [This Could Be Extremely Dangerous, Sir], 26pp; Episode IV [One Mistake, Whole Caboosh Plughole], 25pp; Episode V [Ever Tried Making Love To A Marxist], 23pp; Episode VI [You're Going To Be A Hero, Harry], 24pp; Episode VII [Treacherous Chaps, Causes], 25pp; accompanied by a black and white still of Baker on set -- 8x10in. (20.3x25.4cm.)
- The Good Guys: The Boys From Briarshill, 1990, 73pp; Relative Values, 1992, 93pp;
Literature
BAKER, Roy The Director's Cut - A Memoir Of 60 Years In Film And Television, London: Reynolds & Hearn Ltd., 2000
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