A PAIR OF IMPORTANT CARVED HUANGHUALI YOKE-BACK ARMCHAIRS, SICHUTOUGUANMAOYI
A PAIR OF IMPORTANT CARVED HUANGHUALI YOKE-BACK ARMCHAIRS, SICHUTOUGUANMAOYI

17TH CENTURY

Details
A PAIR OF IMPORTANT CARVED HUANGHUALI YOKE-BACK ARMCHAIRS, SICHUTOUGUANMAOYI
17th century
The pair constructed of fine huanghuali, the splats well-matched, each rounded 'official's hat' toprail with strongly swept-back ends supported on round S-shaped corner posts which continue through to the back legs, the similarly curved backsplat flanked at the sides by openwork dragon flanges and pierced and carved in deep and layered technique from both sides with a ruyi-shaped cartouche enclosing auspicious motifs surrounding a spotted deer on one and a lion on the other, the outscrolled arms supported on sinuous tapering stiles and curved front posts with beaded cloud spandrels that continue through the rectangular frame of the soft mat seat, above legs joined in front by beaded scrolling aprons and long flange spandrels carved with crowned dragons, lotus buds, auspicious ruyi fungus and clouds, with similarly carved aprons and spandrels on all four sides, and with a shaped footrest and stepped stretchers, each with a curvilinear apron carved with leafy tendrils or dragon heads
47in. (119.4cm.) high, 25½in. (64.7cm.) wide, 19in. (48.2cm.) deep (2)
Sale room notice
The height of this lot should read 47in. (119.4cm.)

Lot Essay

A similar pair in a private Hong Kong collection carved with a qilin on one splat and a pair of deer on the other, is illustrated by J. Levenson, (ed.), Circa 1492: Art in the Age of Exploration, National Gallery of Art, Yale University Press, New Haven, 1991, pp. 485-486, no. 345, then on loan from Robert Hatfield Ellsworth. The same chairs are illustrated by B. Flynn, "Chinese Furniture in Two Columbian Exhibitions: 1983 and 1992," Journal of the Classical Chinese Furniture Society, Spring 1993, pp. 48-51, fig. 4, where they are discussed as possibly part of a set of eight. This pair of chairs in Hong Kong are also illustrated in C. Evarts, "Best of the Best" An Exhibition of Ming Furniture from Private Collections, in Arts of Asia, May-June, 1995, pp.139, no.5. Evarts has recently suggested that the animals depicted on the medalions may be hierachical symbols for seating positions according to rank or gender.
See the qilin carved on the splat of a huanghuali yokeback armchair, sold in these rooms 20 September 2001, lot 277, and refer to the footnote suggesting that the qilin is related to rank badges of the Ming and Qing dynasties. Those featuring qilin were worn, as decreed by law in 1391, by dukes, marquises, earls and sons-in-law of the Emperor. See S. Cammann, "Ming Mandarin Squares," Textile Museum Journal, 1977, vol. IV, no.4. The same article also discusses the lion which represents military officers of the first and second rank. The civil officials wore bird patterns except those served in the Censorate who are represented by a white single-horn lion symbolizing justice.
For a further discussion of these chairs, see Curtis Evart's introductory essay "Spendor of Chinese Classical Furniture: Highlights from the Gangolf Geis Collection", p.12 of this catalogue.
Refer to details of back splats of chairs on front and back cover of this catalogue.

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