Thomas Daniell, R.A. (1749-1840)
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Thomas Daniell, R.A. (1749-1840)

View of Panchganga Ghat, Benares

Details
Thomas Daniell, R.A. (1749-1840)
View of Panchganga Ghat, Benares
signed with initials and dated 'T.D. 1802' (lower left)
oil on panel
22 x 25½ in. (55.9 x 64.8 cm.)
Provenance
with Spink, London.
Literature
M. Shellim, Oil Paintings of India and the East by Thomas Daniell, R.A. (1749-1840) and William Daniell, R.A. (1769-1837), London 1979, p. 63, pl. TD51, illustrated in colour.
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Lot Essay

During the Daniell's first tour, which took them along the Ganges, they sailed past Benares and spent some time making numerous sketches and drawings from the river which were later used as the basis for fully worked up oils. This painting is one of a small group of oils of the ghats by Thomas and his nephew William. On 4 December 1788, William recorded in his diary 'The general view of Benares from the Pinnacle was so very grand that I stayed on Board the whole day to draw it, fearing if we let slip the present opportunity that we might never see it in a better point of View'.

Benares (now known as Varanasi) continues to be the religious capital of India and one of the most important places of pilgrimage and of ritual bathing. Access to the Ganges is obtained from long flights of broad stairs, known as ghats, of which there are over a hundred. The Panchganga Ghat, as its name indicates, is where five rivers are supposed to meet. The Daniells depicted the Ghats in their Oriental Scenery and the accompanying text describes them as 'the most considerable of any of the Ganges...vast multitudes of devotees... to this city perform penance, and transact mercantile affairs. An opinion prevails amongst them that drawing the last breath at Coss (Benares) is a circumstance much in favour of their enjoyment of future happieness'.
A variant of the present picture was offered at Christie's, London 'Arts of India' sale, 27 September 2001, lot 1 and a similar view in watercolour is at the Yale Center for British Art, New Haven.

For a note on the artist please see lot 4.

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