A REGENCY BRASS AND IVORY INLAID ROSEWOOD, BROWN OAK, AMBOYNA, EBONY AND PARCEL-GILT CENTER TABLE**
Notice Regarding the Sale of Material from Endange… Read more PROPERTY FROM A PRIVATE LONG ISLAND COLLECTION (LOTS 169-176)
A REGENCY BRASS AND IVORY INLAID ROSEWOOD, BROWN OAK, AMBOYNA, EBONY AND PARCEL-GILT CENTER TABLE**

CIRCA 1810

Details
A REGENCY BRASS AND IVORY INLAID ROSEWOOD, BROWN OAK, AMBOYNA, EBONY AND PARCEL-GILT CENTER TABLE**
Circa 1810
The circular top inlaid with concentric bands divided by ivory and ebony stringing centered by a central medallion of floral 'boulle' marquetry, on a reeded baluster stem and tripartite base with hipped downswept legs and brass caps and casters
30in. (76cm.) high, 30in. (76cm.) diameter
Provenance
Property from the Michael Lipitch Gallery, sold Sotheby's London, 22 May 1998, lot 169.
Special notice
Notice Regarding the Sale of Material from Endangered Species. Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country

Lot Essay

This center table, with concentric bands of richly figured contrasting timber and brass and ivory inlay, is distinctively the work of the firm of George Oakley, which produced fashionable furniture in the 'Grecian' style, specializing in 'buhl' inlay, in the late eighteenth and early nineteenth centuries (C. Gilbert and G. Beard, eds., Dictionary of English Furniture Makers 1660-1840, 1986, pp.658-660). Listed at various locations from 1789 to 1819, the firm's popular designs and quality craftsmanship earned them royal patronage in addition to private commissions.

George Oakley was a key proponent of the 'Grecian' style after the French manner as introduced to London around 1800 by the connoisseur Thomas Hope (d. 1831) and popularized through the publication of the guide to his Duchess Street mansion entitled Household Furniture and Interior Decoration, 1807. Oakley was greatly influenced by Hope's aesthetic as he employed many of the 'antique' forms seen in Hope's guide in his own work. Examples of a pieces drawing on Hope's patterns executed using the combination of multiple exotic timber veneers and for which Oakley had become include: an ebony inlaid mahogany center table sold from the Library at Gaiter's Green, Christie's London, 6 March 2003, lot 6; and also an ormolu-mounted and brass-inlaid rosewood, ebony and parcel-gilt writing table almost certainly designed by Thomas Hope for his brother Henry Philip Hope and attributed to George Oakley was sold 3 July 1997, lot 60 (£221,500).

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