A large English Electrotype basin
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A large English Electrotype basin

ELKINGTON & CO., LONDON, CIRCA 1870

Details
A large English Electrotype basin
Elkington & Co., London, circa 1870
Shaped circular, centred by the arms of Popta, the outer rim with eight various mythological scenes, seven of them after drawings of Hendrick Goltzius (1558-1617): Apollo pursuing Daphne who's arms are sprouting branches; Pan pursuing Syrinx who transforms into an armfull of reeds; Coronis lying pierced with an arrow by Apollo; Battus changing into a piece of basalt; Mercury entering the room of Herse after turning Aglauros into black stone; Europa sitting on the back of Jupiter disguised as a white bull; Cadmus standing in front of the oracle of Delphi and Juno disguised as Beroë warning Semele, the inner rim with four scenes with the history of Io, these and the scene of Daphne and Apollo were probably based on work by Paulus van Vianen, the back applied with an oval plaque stamped Elkington. Department of Science and Art
61.5 cm. diam.
4380 gr.
Special notice
Christie's charges a Buyer's premium calculated at 23.205% of the hammer price for each lot with a value up to €110,000. If the hammer price of a lot exceeds €110,000 then the premium for the lot is calculated at 23.205% of the first €110,000 plus 11.9% of any amount in excess of €110,000. Buyer's Premium is calculated on this basis for each lot individually.

Lot Essay

The present basin is an exact copy of the famous basin made by Rintje Jans from Leeuwarden in 1671, which has been on loan to the Fries Museum since 1881. The heirs of the Popta family agreed to give their pieces on loan to the museum if they could have copies of the important silver objects which were called the "Popta-tressure".

The firm Elkington from London discovered a process of electro-plating and electro-gilding to make closer copies of important pieces of silver. They were the suppliers of an impressive collection of copies for the South Kensington Museum in London, now the Victoria & Albert Musuem. Elkingtons were allowed to make additional copies after authorization of the Art and Science Department of the museum and for these pieces, they incorporated the name of the firm within the department's stamp.

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