Details
Batman Returns, 1992/Michelle Pfeiffer
A one-piece Catwoman costume of black latex, applied with white stitching detail, with a black plastic fitted basque - made for Michelle Pfeiffer as Catwoman in the 1992 Warner Bros. film Batman Returns, the costume mounted on a life-sized mannequin of foam and composition, with a painted composition portrait head of Michelle Pfeiffer covered with a moulded plastic painted cowl, with a pair of black leather lace-up knee-high boots; accompanied by a corresponding black and white still (printed later) -- 8x10in. (20.3x25.4cm.) (2)

Lot Essay

This costume has been mounted on a mannequin for preservation purposes as the black latex material is prone to decomposition. Sections of the costume have been restored where the suit originally had tears to allow Catwoman's flesh to show through.

In the story of Batman, the character of Selina Kyle, a downtrodden executive assistant, pieces together her catsuit out of a black vinyl raincoat after being thrown out a window by her boss, Max Shreck [Christopher Walken]. Apparently, for filming purposes, a body mould was made of Michelle Pfeiffer which was then divided into sections. Each part was repeatedly dipped in liquid neoprene until a thin layer was built up. The parts were then joined together to make a full suit, sprayed with silicone and polished to give a gleaming, mirror-like finish. Due to the fragility of the latex of these bodysuits, it seems that a large number of the costumes had to be made for filming. Sprayed with silicone and then buffed to a mirrorlike finish Catwoman's gleaming second skin made a striking contrast to Batman's dull black latex.

During an interview on Late Night With David Letterman, 14 December, 2001, Michelle Pfeiffer recalled the constraints imposed by her skin-tight costume: You try running around in a latex catsuit all day. You sweat like a pig, even on the refrigerated sets we had. It took two hours to get into the thing and you had to stay in it all day! Not to mention problems with tears and chafing. We had to have someone on the set at all times to repair holes or rips in our suits...

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