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Yokohama ijinshokan shashin no zu (Picture of a true view of a mercantile firm in Yokohama), 1862.7 Yokohama dontaku no zu (A Sunday in Yokohama), 1861.2 Kanagawa Yokohama hanakuruwa no kokei (Panorama of the pleasure quarter in Yokohama, Kanagawa), 1860.2 Yokohama tekkyo no zu (Picture of the iron bridge [Yoshida Bridge] in Yokohama), 1870.8 Utagawa Kunisada (1786-1865) Gankiro narabini ikyaku no zu (Foreign guests at the Gankiro Tea House), 1860.11
Details
Hashimoto Sadahide (1807-1878/79)
Yokohama ijinshokan shashin no zu (Picture of a true view of a mercantile firm in Yokohama), 1862.7
Yokohama dontaku no zu (A Sunday in Yokohama), 1861.2
Kanagawa Yokohama hanakuruwa no kokei (Panorama of the pleasure quarter in Yokohama, Kanagawa), 1860.2
Yokohama tekkyo no zu (Picture of the iron bridge [Yoshida Bridge] in Yokohama), 1870.8
Utagawa Kunisada (1786-1865)
Gankiro narabini ikyaku no zu (Foreign guests at the Gankiro Tea House), 1860.11
Five triptychs, the first, second, third and fourth signed Gountei Sadahide ga, the fifth signed Toyokuni ga and background panels inscribed Sadahide ga, the first published by Moriya Jihei, second and third by Yamaguchiya Tobei, fourth by Maruya Seijiro, fifth showing Mitsuuji of Inaka Genji--good impressions and color, the fifth with gauffrage, some colors faded, soiled, stained, trimmed, damages, repairs, worming
oban tate-e (15)
Yokohama ijinshokan shashin no zu (Picture of a true view of a mercantile firm in Yokohama), 1862.7
Yokohama dontaku no zu (A Sunday in Yokohama), 1861.2
Kanagawa Yokohama hanakuruwa no kokei (Panorama of the pleasure quarter in Yokohama, Kanagawa), 1860.2
Yokohama tekkyo no zu (Picture of the iron bridge [Yoshida Bridge] in Yokohama), 1870.8
Utagawa Kunisada (1786-1865)
Gankiro narabini ikyaku no zu (Foreign guests at the Gankiro Tea House), 1860.11
Five triptychs, the first, second, third and fourth signed Gountei Sadahide ga, the fifth signed Toyokuni ga and background panels inscribed Sadahide ga, the first published by Moriya Jihei, second and third by Yamaguchiya Tobei, fourth by Maruya Seijiro, fifth showing Mitsuuji of Inaka Genji--good impressions and color, the fifth with gauffrage, some colors faded, soiled, stained, trimmed, damages, repairs, worming
oban tate-e (15)