The delicate, fringed poppies on their pale green, spikey leaves are a significant movement away from the bold, iconic floral motifs of the 17th century towards a more reflective, restrained and elegant style of Mughal drawing. Whilst still influenced by 17th century herbalist albums aintings, the drawing here, particularly in the fillings and in the architectural elements is moving towards the sprig motifs that would dominate the second half of the 18th century in many different materials and works of art.

Compare this kanat with other tent panels in public collections:
Page 15 Indian Embroideries, Irwin & Hall; Page 203, Indian Carpets and Textiles in the Kier Collection, Friedrich Spuhler; Page 135, The Fine Art of Textiles in Philadelphia Museum of Art and Page 85, Treasures of Indian Textiles, Calico Museum, Ahmedabad.