Details
Wayne Thiebaud (b. 1920)
Daffodil
signed and dated 'Thiebaud 1980' (lower right)
pastel, gouache, watercolor and graphite over etching and aquatint on paper
image: 23 x 16 in. (58.5 x 40.6 cm.)
sheet: 30 x 23 in. (76.2 x 58.4 cm.)
Executed in 1980.
Provenance
Acquired by the present owner, 1988
Exhibited
Berkeley, University Art Museum at Blackhawk, The Goldstrom Family Collection, May-June 1992.
Wein, BAWAG Foundation, Americanische Kunst aus der Sammlung New York, November-December 1994.

Lot Essay

In the forward to the 1991 exhibition catalogue for the show Vision and Revision: Hand Colored Prints by Wayne Thiebaud, Thiebaud discusses his regular practice of saving extra proofs for later experimentation. He refers to the additional proofs as "elegant surfaces that I could not bear to throw away." These images challenge him and his creative process. He goes on to explain:

"In the reworking of these prints I have used assorted media including pen and ink, graphite, crayons, pastels, watercolor, charcoal, tempera, oils and acrylics in order to change them in as many ways as I could. Surprising results occurred while this strange practice was going on, and these stimulated speculation about a number of issues. For instance: what happens to a pre-established matrix, structure, or pattern configuration when it is acted upon with changes of hue, value, or intensity? Would this significantly change the space or light or hierarchy of things?...These kinds of problems and many others are what prompted most of these works. It was fascinating to discover how unlimited the possibilities appear to be" (W. Thiebaud, "Changing Prints," Vision and Revision: Hand Colored Prints by Wayne Thiebaud, exh. cat., California Palace of the Legion of Honor, The Fine Arts Museums of San Francisco, 1991, pp. 12-13).

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