A GREEK BRONZE HEAD OF A YOUTH
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A GREEK BRONZE HEAD OF A YOUTH

CIRCA 460 B.C.

Details
A GREEK BRONZE HEAD OF A YOUTH
CIRCA 460 B.C.
Possibly representing the god Apollo, with intricate hairstyle, centrally parted and combed in wavy ridges around the head which is encircled by two twisted double cables of hair that are formed at each side at the back of the head and cross over, encircling the head and meeting at the front above the forehead, an abundance of curls falling in front of each ear and looped up around the tresses surmounting the forehead, at the back of the head are finely curled strands of hair arranged across the nape of the neck up to the back of the ears below the twisted cables, the facial features clearly modelled, the eyes hollow to receive inlay, mounted
7 7/8 in. (20 cm.) high
Provenance
Acquired in 1992; formerly in a German private collection, since the 1960s.
Exhibited
Greek sculpture gallery, Antikenmuseum Basel und Sammlung Ludwig, Basel, 1996-2006.
Special notice
VAT rate of 5% is payable on hammer price plus buyer's premium.

Lot Essay

It is difficult to determine whether this magnificent hollow-cast head was conceived as a votive statue of a youth or was meant to represent the god Apollo; the intricacy of the hairstyle might well point to the latter. Similar braided hairstyles are to be found on bronzes in Athens (BR 15161 and 45, Athens 689) but none of these have double tresses completely encircling the head or indeed an abundance of loose hair formed into curls as on the above head. For a Greek bronze head of Apollo of the same period, cf. the 'Chatsworth Apollo', dated to 460 B.C., found in 1836 and now in The British Museum. This also would have had inlaid eyes, perhaps in glass, marble or ivory.

The mid 5th Century B.C. was a time of the highest artistic achievement in Greece; many of the most famous sculptures of the time are known to us now only through copies and literary sources. The preferred medium of Classical sculptors was bronze, being so flexible and allowing freer compositions; however, few large Greek bronzes have survived, the great majority having been melted down during the Dark Ages and Mediaeval period.

This lot is accompanied by a certificate from The Art Loss Register.

See illustrations on following pages.

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