A RARE GREEN JADE PATRA-FORM BOWL
PROPERTY FROM A PRIVATE MIDWESTERN COLLECTION
A RARE GREEN JADE PATRA-FORM BOWL

QIANLONG PERIOD (1736-1795)

Details
A RARE GREEN JADE PATRA-FORM BOWL
QIANLONG PERIOD (1736-1795)
The compressed globular body tapering towards the base from the inward-rounded shoulder, well carved in relief with the Eight Buddhist Emblems (bajixiang) surrounded by a dense pattern of leafy lotus meander, between a petal lappet border below and a ruyi border above, the slightly translucent stone of rich green color with dark mottling
9½ in. (24 cm.) diam., reticulated wood stand
Provenance
Mrs. D. C. Stafford Smith.
Manheims, 1973.
Joy Gowland Collection.
Exhibited
London, The Arts Council of Great Britain and the Oriental Ceramic Society, The Arts of the Ch'ing Dynasty, 26 May - 2 July 1964, no. 416, pl. 136.
Rochester, Michigan, Oakland University, Meadow Brook Art Gallery, Chinese Art from Private Collections in Michigan, 27 January - 3 March 1985, no. 67.

Lot Essay

The shape of this rare jade bowl appears to be based on that of the simple alms bowl or patra, which served as the food bowl of a monk. During the 18th century this shape was translated in various, and far more sumptuous materials. A porcelain example imitating Jun ware inscribed with a Yongzheng mark is illustrated by J. Ayers, Chinese Ceramics in the Baur Collection, 1999, vol. 2, p. 157, no. 264. A repoussé gilt-bronze example dated to the 18th century, decorated with eight mythical beasts below a band incorporating the bajixiang was sold in our Hong Kong rooms, 30 May 2006, lot 1299. A far more sumptuous example is the Qianlong-marked iron 'alms bowl' covered in reticulated gold decorated with leaping dragons alternating with the Eight Buddhist Emblems (bajixiang) surrounded by a dense ground of lotus scroll between decorative borders, and lined in silk brocade, included in the exhibition, La Cité Interdite, Musée du Petit Palais, Paris, 1996, pp. 186-7, no. 58. The combination of the simple 'alms bowl' shape, the rich decoration of Buddhist symbolism and the richness of the materials used in the gold-covered bowl in the Palace collection, the gilt-bronze example and the present jade bowl, reflect not only the interest of the Qing emperors in tantric Buddhism, but also the sensibility of the court and its attraction to lavish decoration.

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