AN UNUSUAL TWO-COLOR PEWTER RECTANGULAR TABLE SCREEN
AN UNUSUAL TWO-COLOR PEWTER RECTANGULAR TABLE SCREEN

17TH/EARLY 18TH CENTURY

Details
AN UNUSUAL TWO-COLOR PEWTER RECTANGULAR TABLE SCREEN
17TH/EARLY 18TH CENTURY
One side incised with a scene of a court lady in a garden setting playing a game of touhu, holding arrows in her hands while looking at an arrow vase and other arrows on the ground before her, with tables holding jardinières and scholars' articles to the sides, the reverse inscribed with a poem, all in a golden brass color reserved on the pewter ground, raised on a pewter stand with panels of linked rings and scrolled side brackets
11¾ in. (30 cm.) high

Lot Essay

The inscription is a quote from a Tang dynasty poem by Shen Quan Qi. It describes the gratitude of the woman on the front of the screen towards her master. The inscription may be read:
'To the Master: Joyous and deeply grateful is she to serve and to follow, as though two suns are illuminating her saints and ancestors.'

Touhu is believed to be have been played in China as early as the Eastern Zhou dynasty (722-211 BC), and continued to be popular through the centuries afterward. By the Ming dynasty the vases or pitchpots were made in bronze, iron, ceramic and even cloisonné, and the shape was usually as that of the vase on the present screen. Diagrams can be found in Ming and Qing dynasty books showing the various positions for the arrows to land, and also throwing techniques. For a full discussion of the game see, C. Mackenzie and I. Finkel, eds., Asian Games: The Art of Contest, Asia Society, New York, 2004, pp. 274-81.

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