A RARE GILT-BRONZE VOTIVE STELE
THE PROPERTY OF A GENTLEMAN 
A RARE GILT-BRONZE VOTIVE STELE

SUI DYNASTY (581-618)

Details
A RARE GILT-BRONZE VOTIVE STELE
SUI DYNASTY (581-618)
Cast with Buddha Sakyamuni and Buddha Prabhutaratna seated in lalitasana on a simple throne in front of a large petal-shaped aureole decorated with two flame-incised aureoles and two halos cast in low relief behind their heads, each wearing simple robes and with his hair drawn up into a rounded usnisa, the whole raised on a tall bracketed base inscribed on three sides with an inscription which is now partiqally obscured, extensive gilding remaining, some malachite encrustation
9¼ in. (24.2 cm.) high
Provenance
Important Chinese Works of Art from the Arthur M. Sackler Collections; Christie's, New York, 1 December 1994, lot 54.
Chen Chi Collection, Tokyo.

Lot Essay

The theme of Prabhutaratna and Sakyamuni seated together comes from the Lotus Sutra, chapter 11, in which a jewelled stupa appears at a gathering of Buddhist divinities, rising up out of the earth and hovering in the air. It opens miraculously to reveal the Buddha of the past age, Prabhutaratna, inside. He offers half his seat to Sakyamuni, who joins him.

This scene is frequently depicted in Buddhist art from the Northern Wei into the Tang dynasties in China. Gilt-bronze examples include the famous Buddha pairs in the Nezu Museum, Tokyo, dated 489 and in the Musée Guimet, dated 518. Another of Sui dynasty date, dated 609, and showing the Buddhas with separate halos seated under a pointed arch-shaped lintel is in the Freer Gallery of Art, Washington, illustrated by H. Munsterberg, Chinese Buddhist Bronzes, Rutland, Vermont, 1967, pls. 33-5. Compare, also, the stele dated 606 in the Sui Dynasty excavated in Tangxian, Hebei, in 1957, and now in the Tianjin City Art Museum illustrated in Zhongguo meishu quanji: Diaosu, vol. 4, Beijing, 1988, pl. 8.

For a thorough discussion of this theme see, J. Steuber, 'Shakyamuni and Prabhutaratna in 5th and 6th Century Chinese Buddhist Art at the Nelson-Atkins Museum of Art', Arts of Asia, March-April 2006, pp. 85-103.

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