Attributed to Unkoku Tohan (1635-1724)
From time to time, Christie's may offer a lot whic… Read more
Attributed to Unkoku Tohan (1635-1724)

Flowers and birds of the four seasons

Details
Attributed to Unkoku Tohan (1635-1724)
Flowers and birds of the four seasons
Each signed Unkoku Hogen Tohan hitsu
Pair of six-panel screens; ink, color and gold leaf on paper
69¼ x 148in. (176 x 376cm.) each (2)
Provenance
Fuse Akinobu, Kobe City

PUBLISHED:
Fujikake Shizuya, Unkoku Tohan hitsu kachozu byobu (Bird-and-flower painting screen by Unkoku Tohan), Kokka 621 (August, 1942), pls. 5 and 6.

Yamaguchi Prefectural Museum of Art, ed., Unkokuha no keifu-Sesshu no kokeisha tachi (Genealogy of Unkoku school: successors of Sesshu) (Yamaguchi: Yamaguchi Prefectural Museum of Art, 1986), p. 215.
Special notice
From time to time, Christie's may offer a lot which it owns in whole or in part. This is such a lot.

Lot Essay

Tohan was the youngest son of Unkoku Toeki (1591-1644), with whom he studied. In 1655, Tohan collaborated on wall paintings for the imperial palace with his older brother Unkoku Toyo (1612-1668), along with Kano Tan'yu, Kano Yasunobu, Kaiho Yusho and Tosa Mitsuoki. In 1633, he was adopted by his brother Toyo and was thus in a position to suceed Toyo as head of the family after the latter's death. From that time on he called himself "Sesshu VI." He was awarded the honorary title Hogen (Eye of the Law; the second-highest honorary title given to painters) in 1675, giving a terminus post quem for the present pair of screens.

For other bird-and-flower screens by Tohan, see Yamaguchi Prefectural Museum of Art, ed., Unkokuha no keifu-Sesshu no kokeisha tachi (Genealogy of Unkoku school: successors of Sesshu) (Yamaguchi: Yamaguchi Prefectural Museum of Art, 1986), pl. 31.

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