Carl Spitzweg (German, 1808-1885)
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Carl Spitzweg (German, 1808-1885)

Waldlandschaft (Woodland landscape)

Details
Carl Spitzweg (German, 1808-1885)
Waldlandschaft (Woodland landscape)
signed with monogram (lower left)
oil on canvas
12¼ x 9 in. (31.2 x 22.8 cm.)
Provenance
Private collection, Munich.
Thence by descent to the present owners.
Literature
G. Roennefahrt, Carl Spitzweg, Munich, 1960, no. 332, p. 169, illustrated.
S. Wichmann, Die Wanderwege, Das Motiv der Felsenschlucht im Werk von Carl Spitzweg, Sindelfingen, 1976, p. 26, no. 50.
S. Wichmann, Carl Spitzweg, Verzeichnis der Werke, Stuttgart, 2002, p. 539, no. 1493, illustrated.
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

The motif of wooded, mountainous landscapes, often populated by courting couples on a pathway, is one that appears with great frequency in Spitzweg's work. The male figure, preceded here by his dog who welcomes the woman waiting by the well, is typically identified as a hunter.

The mountain landscape had a long tradition in German Romantic art, and Spitzweg was able to manipulate this traditional pictorial context to a variety of different effects. The emphasis on a bucolic idyll in the present work is quite different to Spitzweg's superficially similar, but ultimately ironic, depictions of urban day-trippers to the mountains.

Spitzweg, who had a strong interest in geology and nature, made frequent trips to the Austrian and Bavarain Alps, filling his sketchbooks as he went. He later worked these up into dramatic, stage- like compositions, in which a central figure -- as in the present work -- appears almost spotlit against a mottled forest background.

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