A Stoneware Tea Bowl (chawan) Named Matsukaze (Wind in the Pines)
A Stoneware Tea Bowl (chawan) Named Matsukaze (Wind in the Pines)

KARATSU WARE, OKUGORAI TYPE, MOMOYAMA PERIOD (EARLY 17TH CENTURY)

Details
A Stoneware Tea Bowl (chawan) Named Matsukaze (Wind in the Pines)
Karatsu ware, Okugorai type, Momoyama period (early 17th century)
Set on a high ring foot with rounded sides becoming straight and turning slightly outward at the rim, the bowl covered in a mottled grey glaze with large areas of greenish-beige punctuated with several small spots of blue and finished with a fine crackle, the glaze collecting thickly at the bottom and running down to the foot in whitish drips, the rim with several old gold-lacquer repairs
3 3/8in. (8.6cm.) high; 4¾in. (12.2cm.) diameter
With two wood boxes, the first inscribed in gold lacquer Okugorai-jawan Matsukaze and the second Okugorai Matsukaze

Lot Essay

Karatsu is the name of a port in Hizen province (present-day Saga prefecture) in Kyushu, the most southerly and westerly of Japan's four main islands. It is sometimes used as a collective term describing the many stonewares that were made in Hizen during the late sixteenth and seventeenth centuries, including not only this type but also many other Kyushu wares. More strictly applied, however, Karatsu, along with other terms such as Ko-Karatsu, or Old Karatsu, and E-Garatsu, or Painted Karatsu, describes the products of a particular group of kilns in the northwestern part of Hizen that were probably founded by Korean immigrants towards the end of the sixteenth century. These kilns were of the noborigama, or "climbing kiln," type, built into the sides of hills, an arrangement that produced the strong draft necessary to reach the high temperatures required for the firing of sophisticated glazed stonewares. The pots themselves were thrown on a foot-operated kick-wheel that left the hands free to shape and model each piece.

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