A FINELY CARVED "HAIR CRYSTAL" SNUFF BOTTLE
A FINELY CARVED "HAIR CRYSTAL" SNUFF BOTTLE

1750-1880

Details
A FINELY CARVED "HAIR CRYSTAL" SNUFF BOTTLE
1750-1880
Of rounded-rectangular form with recessed foot, the stone with attractive iridescent flaws, the tourmaline inclusions suggestive of pine needles or reeds sweeping upwards from the base around the body and thinning out at the neck, the surface carved in low relief with a pine tree, bamboo and rockwork, the narrow sides carved with mask-and-ring handles, jadeite stopper with silver collar
2¼ in. (5.8 cm.) high
Provenance
Sydney L. Moss Ltd.
Alex S. Cussons
Hugh M. Moss Ltd.
Julie and Al Stempel
Sotheby's, New York (PB 84), 11 October 1979, lot 195
Hugh M. Moss Ltd.
Literature
Chinese Snuff Bottles No. 1, p. 26, fig. 10
Hugh Moss, Chinese Snuff Bottles of the Silica or Quartz Group, p. 28, no. 59
Moss, Graham, Tsang, The Art of the Chinese Snuff Bottle. The J & J Collection, Vol. I, no. 101
The Art of the Chinese Snuff Bottle, Poly Art Museum, p.47
Exhibited
Christie's, New York, 1993
Empress Place Museum, Singapore, 1994
Museum für Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003

Lot Essay

With the random distribution of differently colored needles of varying thickness and length, "hair crystal" bottles provide an infinite variety of exciting patterns. The needle-like crystalline inclusions can be black (tourmaline), green (actinolite) and coppery red or silvery gold (rutile).
The inclusions in this remarkable example are tourmaline. The "hairs" here are concentrated in the lower portion of the bottle on one side, rising up from the base and thinning as they go. The effect is suggestive of reeds or long grass. The artist has set the scene by carving bamboo growing from the diagonal bank, offsetting a pine tree which grows from a rocky bank beneath clouds. The scene is enhanced by the small flaws in the stone which reflect light in brilliant, iridescent bursts.
Once in the collection of the well-known collector Alex Cussons, this well-hollowed bottle exhibits complete formal integrity, which is heightened by the constantly changing play of light reflecting off the iridescent flaws, giving it great presence in the hand. The mask handles, with their unusual stylized manes and elongated rings, are quite distinctive, and belong to a school of carving identified by Hugh Moss as "Group A" in Chinese Snuff Bottles from the Silica or Quartz Group, in which the present bottle is illustrated. The J & J Collection also includes two other examples from the school, which are illustrated by Moss, Graham, Tsang, The Art of the Chinese Snuff Bottle, nos. 103 and 104.

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