** A SUPERB INSCRIBED BEIJING ENAMEL SNUFF BOTTLE
** A SUPERB INSCRIBED BEIJING ENAMEL SNUFF BOTTLE

IMPERIAL, PALACE WORKSHOPS, BEIJING, QIANLONG FOUR-CHARACTER MARK IN BLUE ENAMEL AND OF THE PERIOD, 1736-1760

Details
** A SUPERB INSCRIBED BEIJING ENAMEL SNUFF BOTTLE
IMPERIAL, PALACE WORKSHOPS, BEIJING, QIANLONG FOUR-CHARACTER MARK IN BLUE ENAMEL AND OF THE PERIOD, 1736-1760
Of compressed ovoid form with flat lip and recessed oval foot surrounded by a footrim, one side enameled with two quails standing beneath arching stems of millet rising amidst dark pink morning glory (convolvulus) to one side opposite blue asters to the other side, the reverse inscribed with a poetic inscription in black clerical script on a pale creamy ground reading "Two friends arrive at an auspicious land; the thriving three crops are signs of a bountiful year," each panel supported on stylized blue waves and framed by tapering green bands with repeated wan symbols separated on the narrow sides by slender dotted pink seams, all below a band of pink petals bound with a yellow-dotted blue ribbon encircling the waisted neck, the exposed metal at the foot and neck gilded, the base inscribed in blue enamel regular script Qianlong nian zhi (Made in the Qianlong period), gilt-metal stopper with integral collar
2 in. (5.1 cm.) high
Provenance
Vad Jelton.
Hugh Moss Ltd.
Literature
Chinese Snuff Bottles No. 4, p. 26, figs. 1 and 4.
JICSBS, December 1975, P7, no. 19.
Hong Kong Museum of Art, Snuff Bottles of the Ch'ing Dynasty, 20 October-3 December 1978, p. 51, no. 13.
Catalogue, Canadian Craft Museum, Vancouver, 1992.
Exhibited
Hong Kong Museum of Art, Snuff Bottles of the Ch'ing Dynasty, 20 October-3 December 1978, no. 13.
Canadian Craft Museum, Vancouver, 1992.

Lot Essay

For an extensive discussion on the Imperial Palace enamel workshops in Beijing, see Moss, Graham, Tsang, The Art of the Chinese Snuff Bottle, The J & J Collection, pp. 268-295.

It is extremely rare to find an enamel on copper snuff bottle with an inscription incorporated into the design. The inscription here refers to the subject of a pair of quails beneath ripe millet sprays. Two quails standing under stalks of ripe millet was a particularly popular subject at Court during the eighteenth century. The subject appears on a set of Imperial Jiaqing-marked porcelain bottles illustrated in Chinese Snuff Bottles in the Collection of the National Palace Museum, no. 94, and on the Imperial enamel and coral bottle in the Baur Collection illustrated by B. Stevens in The Collector's Book of Chinese Snuff Bottles, no. 1032, which can now be dated to the Yongzheng period. An auspicious rebus also appears to be implied, since the Chinese character for "quail" (an) has the same sound as the character for "peace" and the ear of grain is a pun for "year" (sui), the combination suggesting a wish for peace year after year. The three heads of grain form a desire for an excellent harvest as well.

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