**A BLUE OVERLAY TRANSPARENT GLASS SNUFF BOTTLE
**A BLUE OVERLAY TRANSPARENT GLASS SNUFF BOTTLE

ATTRIBUTED TO THE PALACE WORKSHOPS, BEIJING, 1740-1790

Details
**A BLUE OVERLAY TRANSPARENT GLASS SNUFF BOTTLE
ATTRIBUTED TO THE PALACE WORKSHOPS, BEIJING, 1740-1790
Of flattened ovoid form with flat lip and recessed foot surrounded by a footrim, carved through the sapphire blue layer to the slightly milky, bubble-suffused ground on one side with a fenghuang perched on one foot on a rock amidst bamboo, and on the reverse with a pair of ducks swimming in a pond below overhanging lotus and millet plants, with mask-and-ring handles on the narrow sides, tourmaline stopper
2 7/8 in. (7.3 cm.) high
Provenance
Hugh Moss Ltd.
Exhibited
Canadian Craft Museum, Vancouver, 1992.

Lot Essay

This bottle is typical of a series of early- to mid-Qing overlay bottles, which have very small mask-and-ring handles, flared, very confident and crisp feet, and masterful carving against a bubble-suffused, milky ground. An indication of the early period is provided by the wide mouth and well-rounded carving with a degree of three-dimensionality.

The words for lotus (lian) and ducks (yazi) evoke the term lianjia which conveys a desire to be first on the list for the three-level (district, provincial and capital) civil service examinations in succession while the fenghuang and bamboo (zhu) stand for abundance (fengzu).

Compare with a blue overlay on bubble-suffused glass snuff bottle from the Bloch Collection carved with a similar motif illustrated by Moss, Graham, Tsang, A Treasury of Chinese Snuff Bottles, Vol. 5, Glass, no. 928.

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