Otto Dix
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Otto Dix

Streichholzhändler (K. 11 II b)

Details
Otto Dix
Streichholzhändler (K. 11 II b)
drypoint and etching, 1920, on cream textured wove, signed and titled in pencil, numbered 14/20, published by the Dresdner Verlag, Dresden, 1921, in the portfolio 5 Radierungen (there was also an edition of approximately ten impressions on different paper and a unique proof impression of the first state in pure drypoint), a very good impression of this rare print, the full sheet, a deckle edge below, some very faint light-staining, otherwise in very good condition
P. 259 x 300 mm., S. 348 x 485 mm.
Provenance
Galerie Nierendorf, with their stamp verso
By repute from the collection of the painter Fritz Burkhardt (1900-1983), Munich.
Literature
Hans Kinkel in: Florian Karsch, Otto Dix - Das Graphische Werk, Hannover, 1970.
Fritz Löffler, Otto Dix, Leben und Werk, VEB Verlag der Kunst, Dresden, 1977.
Eva Karcher, Otto Dix, Cologne, 1989/2002.
Rainer Beck, Otto Dix - Die Kosmischen Bilder, Dresden, 2003.
Wilfred Owen (ed. Jon Stalworthy), The War Poems, London, 1994.
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

The Streichholzhändler, based on the painting which is today in the Staatsgalerie Stuttgart, is a less ambiguous, although by no means less shocking image than the Kriegkrüppel (previous lot). Here, the artist's stance is indeed one of pity, and of accusation. The soldier, maimed and blinded, now trying to survive on selling matches, is forgotten by the healthy and well-off. The crossed frame of the window behind his head marks him as a symbol of human suffering. The compassion of the artist is stressed by the viewpoint, which is close to the helpless soldier's own: we only see the legs and bottoms of those walking past. Yet Dix was not satisfied with a mere depiction of misery and injustice. With his uniquely savage, dark sense of humour, Dix added a grinning dog pissing against the poor soldier's leg stumps, adding insult to the injury.

No one, except perhaps for the English poet Wilfred Owen, reflected in such colloquial terms and with such bitter sarcasm of World War I:

One dies of war like any old disease,
This bandage feels like pennies on my eyes
I have my medal? - Discs to make eyes close
My glorious ribbons? - Ripped from my own back
In scarlet shreds...

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