A PAIR OF GILTWOOD PIER TABLES
PROPERTY FROM THE COLLECTION OF EDWARD AND KIYI PFLUEGER (LOTS 61-62)
A PAIR OF GILTWOOD PIER TABLES

PROBABLY MID-18TH CENTURY

Details
A PAIR OF GILTWOOD PIER TABLES
PROBABLY MID-18TH CENTURY
Each with a later red veined marble top above an acanthus-scrolled and rockwork frieze centred by a mask of Venus flanked by C-scrolls, on cabriole legs headed by foliage, on scrolled feet carved with acanthus, one with indistinct inscription to backrail, regilt, lacking one flowerhead
31¾ in. (80.5 cm.) high, 40½ in. (103 cm.) wide, 22 in. (56 cm.) deep (2)
Provenance
Bought from Mallett & Son, London.
Sale room notice
Please note that Christie's will pay for the restoration of the crack on one mask.

Lot Essay

Elements of the table design derive from earlier engravings of William Jones published in his The Gentlemens or Builders Companion, 1739, pl. 22, with its flowerhead-capped and acanthus-carved C-scroll legs and pl. 23, with its mask-embellished frieze. The table is conceived in a fully rococo style and incorporates unusual pierced quatrefoils which are introduced in Thomas Chippendale's Director in the 'gothic' taste. The tables relate closely to another smaller one from the collection at Lyme Hall, Cheshire with central pierced shell rather than mask (see M. Jourdain, 'Lyme Park, Cheshire', Country Life, 20 October 1944, p. 70). The elaborately waved and C-scroll frieze appears on a table illustrated in F. L. Hinckley, Metropolitan Furniture of the Georgian Years, New York, 1988, pl. 87, fig. 188), while a similar boldly proportioned female mask is on a table from Hornby Castle illustrated in 'Furniture of the XVII & XVIII Centuries. Furniture at Hornby Castle', Country Life, 30 March 1912, p. 475, fig. 3.

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