A rocky wooded river landscape with a waterfall and figures and cattle on the banks

George Barret was perhaps the most celebrated Irish landscape painter of the latter half of the eighteenth century. This landscape is characteristic of Barret's work before he left Ireland to work in London in 1763. In terms of subject and composition it shows the influence of the ideas of Edmund Burke, whom Barret is thought likely to have met while Burke was an undergraduate at Trinity College Dublin. Burke's seminal essay A Philosophical Enquiry into the Origin of our ideas of the Sublime and Beautiful, was first published in 1757 and Barret absorbed many of his ideas, reflecting them in his approach to landscape painting. Burke was also said to have introduced Barret to the 2nd Viscount Powerscourt for whom he worked early in his career in the Powerscourt demesne, co. Wicklow, which includes some of the most romantic reaches of the Dargle valley and the famous waterfall itself. Barret was to paint some of his most celebrated landscapes for Viscount Powerscourt including the View of Powerscourt House under the Sugar Loaf Mountain (British Art Center, Yale) and his View of Powerscourt Waterfall (National Gallery Ireland) as well as other views on the Dargle river. The present landscape with its rocky cliffs and cascading waterfalls on the far back of the river, which dwarf the figures and cattle below, is reminiscent of Barret's views of the Dargle in both its dramatic topography and feeling.