John Wootton (C.1682-1764)
No VAT will be charged on the hammer price, but VA… Read more THE PROPERTY OF A GENTLEMAN (Lots 89 - 91)
John Wootton (C.1682-1764)

Flying Childers held by a groom, with other figures, in a landscape with a cottage beyond

Details
John Wootton (C.1682-1764)
Flying Childers held by a groom, with other figures, in a landscape with a cottage beyond
signed 'JWootton' ('JW' in monogram, on a rock, lower right)
oil on canvas
40¼ x 50 in. (102.2 x 127 cm.)
Provenance
Probably acquired by the current owner's family in the 18th Century.
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

In this very fine equestrian portrait, Wootton, the most accomplished British sporting painter of the first half of the 18th century, has taken as his subject the first truly great racehourse in the history of the thoroughbred.

Flying Childers was bred by Colonel Leonard Childers of Cantley Hall, Doncaster, foaled in 1715 by the Darley Arabian (imported from Aleppo, circa 1704) out of Betty Leedes. He was sold as a yearling to William, 2nd Duke of Devonshire, in whose livery three of the figures in the present picture are shown. As Childers' reputation grew, the Duke is said to have turned down an offer for the horse of its weight in gold crowns. After an exceptional racing career, during which he was never beaten, he retired to stud at Chatsworth. The prefix 'Flying' was a soubriquet added later as his racing performances grew into legend. He is said to have covered nearly a mile in a minute during a match with Almanzor and Brown Betty, and to have covered the Beacon Course with each stride covering 25 feet. The caption Childers, the Fleetest Horse that ever ran at Newmarket is lettered under a portrait of him by Seymour engraved by Houston and published in 1755.

Another version of the present picture was sold from the Mellon Collection in 1976 as a portrait of Match'em. Subsequently acquired by Richard Green, it was discovered through the course of cleaning that the picture had been partly overpainted, and beneath lay a portrait of Flying Childers.

More from Sporting Art

View All
View All