Edward Lear (1812-1888)
No VAT will be charged on the hammer price, but VA… Read more EDWARD LEAR (1812-1888) Lots 48-49, 51, 53-56 Edward Lear began his career as a natural history painter, executing a ground-breaking series of watercolours, entitled Illustrations of the Family of Psittacidae (1830), which recorded the collection of parrots kept by the Zoological Society of London and was the first of its kind to be dedicated to a single family of birds. This training helped him to develop his powers of observation and attention to detail, which is characteristic of his landscape drawings. At the age of twenty-five he turned away from his early subject matter and became a landscape painter. In the summer of 1837, with the patronage of Lord Derby (1775-1851), Lear left England and travelled across Europe to Rome. During this expedition he stopped to draw in various locations including Geneva, the Alps and northern Italy. For the next eleven years he made Rome his base from which he continued to travel around Europe and the near East, executing landscape drawings wherever he went that he would later work up in his studio. He often held studio open days on his return so that potential purchasers could see the works he had collected and possibly commission a studio watercolour or oil based on their favourite sketch. Property of a Gentleman
Edward Lear (1812-1888)

Luxor, Egypt

Details
Edward Lear (1812-1888)
Luxor, Egypt
inscribed and dated 'Luxor./5.pm.17.Feby.1854' (lower right) and further inscribed with colour notes (lower left and lower right)
pencil, pen and brown ink and watercolour
13 x 20 in. (33 x 50.8 cm.)
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

The present watercolour is a wonderful example of Lear's working drawings that he executed on his travels which show his entire thought process as he sketched in the early evening light. In order to take back with him the maximum amount of information, he wrote colour notes and reminders about the scene on which he was working, which became a characteristic of his technique. One example of these notes, visible in the lower section of the present watercolour, reads 'from A downward, the sand is yellower', and subsequently the letter 'A' can be found written twice in the centre of the sheet.

On 8 February 1854 Lear began his return journey to Cairo from Philae, a 'real fairy island', and a week later his boat reached Luxor. Here he spent ten days exploring the surrounding area, particularly the ruined temples at Thebes, the tombs in the Valley of the Kings, and the temple complex at Karnak where he felt 'like a cheese mite among such giants' (V. Noakes, Edward Lear, The Life of a Wanderer, Stroud, 2004, pp. 107-108).

For two other examples of Lear's work in Egypt see lots 49 and 53.

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