Details
A FINE EMBROIDERED BLUE SILK PANEL
YONGZHENG/QIANLONG PERIOD (1723-1795)

Finely worked in satin stitch with a fall scene of layered rocks rising in a pinnacle from a grassy bank, the groups of jagged rocks picked out in blue threads and backed by a tall slender tree and stems of various kinds of chrysanthemums, yellow hibiscus (qiukui), amaranthus and pinks, with a pair of birds perched on the branches of the tree and butterflies and insects flitting amidst the profusion of blossoms, including a praying mantis alighting on one of the chrysanthemum stems, some of the details of the bark of the tree finely painted, all picked out in multicoloured threads on a sky-blue satin ground
96 7/8 x 29 1/2 in. (246 x 74.9 cm.), mounted
Provenance
An Australian private collection
Linda Wrigglesworth

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Lot Essay

This vertical panel was probably originally part of a set to be inserted into the frame of a screen. The theme of autumn flowers, which includes chrysanthemums, yellow hibiscus, and amaranthus, suggests it may have been one of a set of four designs representing the seasons. The composition with garden rock and paired birds and butterflies follows a convention for bird and flower studies dating from the tenth century. Such compositions created by painters working at the court would have been sent to the imperial factories at Suzhou to be executed in fine embroidery.

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