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Lot Essay
The warm exotic tones, reminiscent of the Fauves artists, and the uniform surfaces of colour known as cloisonné found in Paul Gauguin and Emile Bernard's paintings seem to have had a profound impact on Guiragossian's style, particularly in his early works.
Although Guiragossian's oeuvre is often characterised by vibrant colours he uses them as a sign of hope and rebellion against the underlying human misery.
In his later paintings the recurrent theme in Paul Guiragossian's work is groups of women. They are shown frieze-like, standing in a line and facing the viewer. They sometimes have recognizable attributes- holding babies, or wearing patterned clothes, whilst in other works the figures are more highly abstracted. These works, taken as a whole, are an homage to women and most specifically, to the mother and to motherhood. As Guiragossian said, the mother is the greatest hero of the world." Women were his primary source of inspiration, and this comes across strongly in his interviews. In one he said "I lived my childhood deprived from the affection of a woman. I have spent my childhood in private convents, without knowing my mother that I looked for so long to find in my paintings."
In another, he said "I am mad over feminine beauty...each woman for me is unique. There are no ugly women. In fact if we tried to explain in terms physical beauty, it would be ridiculous..."
Although Guiragossian's oeuvre is often characterised by vibrant colours he uses them as a sign of hope and rebellion against the underlying human misery.
In his later paintings the recurrent theme in Paul Guiragossian's work is groups of women. They are shown frieze-like, standing in a line and facing the viewer. They sometimes have recognizable attributes- holding babies, or wearing patterned clothes, whilst in other works the figures are more highly abstracted. These works, taken as a whole, are an homage to women and most specifically, to the mother and to motherhood. As Guiragossian said, the mother is the greatest hero of the world." Women were his primary source of inspiration, and this comes across strongly in his interviews. In one he said "I lived my childhood deprived from the affection of a woman. I have spent my childhood in private convents, without knowing my mother that I looked for so long to find in my paintings."
In another, he said "I am mad over feminine beauty...each woman for me is unique. There are no ugly women. In fact if we tried to explain in terms physical beauty, it would be ridiculous..."