Sir William Nicholson (1872-1949)
PROPERTY FROM A PRIVATE LONDON COLLECTION
Sir William Nicholson (1872-1949)

Red Willows

Details
Sir William Nicholson (1872-1949)
Red Willows
signed 'Nicholson' (lower right)
oil on canvas-board
12 x 16 in. (30.6 x 40.7 cm.)
Painted in 1925.
Provenance
with Beaux Arts Gallery, London, 1927.
with Roland, Browse & Delbanco, London, 1948 where purchased by J.H. Strachan, prior to 1956.
probably with Browse & Darby, London, where acquired by the previous owner, and by descent.
Literature
L. Browse, Nicholson, London, 1956, no. 314, as 'Red Willows, Wiltshire'.
P. Reed, William Nicholson catalogue raisonné of the oil paintings, London and New Haven, 2011, p. 430, no. 530, illustrated.
Exhibited
New York, Seligmann Gallery, An Exhibition of Paintings and Drawings - William Nicholson, February 1926, no. 23: this exhibition travelled to Pittsburgh, Carnegie Institute, March - April; Indianapolis, John Herron Institute, May - June; Baltimore Museum, September - October; and Milwaukee, Art Institute, November - December.
London, Beaux Arts Gallery, Pictures and Drawings by William Nicholson, June - July 1927, no. 30.
Glasgow, Alex, Reid & Lefevre Ltd., Exhibition of Paintings by William Nicholson, April 1928, no. 9.
Nottingham, Castle Museum and Art Gallery, Retrospective Exhibition of Paintings by William Nicholson, March - April 1933, no. 71, as 'Red Willows - Wiltshire'.
London, Beaux Arts Gallery, Retrospective Exhibition of Paintings by William Nicholson, May - June 1933, no. 32.
Manchester, City Art Gallery, Art Exhibitions Bureau, William Nicholson, June - July 1933, no. 66: this exhibition travelled to Scarborough, Public Library, Retrospective Exhibition of Paintings by William Nicholson, August - September 1933, no. 32; Folkestone, Public Art Gallery, Exhibition of Paintings and Lithographs by William Nicholson, October - November 1933, no. 55; Belfast, Municipal Museum and Art Gallery, Loan Exhibition of Paintings and Prints by William Nicholson, February 1934, no. 6; Lincoln, Usher Art Gallery, William Nicholson, July - August 1934, no. 57; and Newark, Municipal Museum, William Nicholson, September - October 1934, no. 42.
London, Beaux Arts Gallery, British Artists, January 1937, catalogue not traced.
London, Roland, Browse & Delbanco, Paintings by William Nicholson and Josef Herman, April - May 1948, no. 45.

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André Zlattinger
André Zlattinger

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Lot Essay

This is a scene in Wiltshire near Sutton Veny, or on the Somerset Levels - perhaps on a sunny winter's day as the colourful branches of the red willows are clearly visible, devoid of leaves. There is standing water in the field where the white and tan cattle are grazing in the sunshine. Nicholson uses a composition of parallel planes interrupted in the foreground by the use of blocky paint to depict the remains of a wall. Behind there is the line of the river, then the bank, the pollarded willow trees in the middle distance, and an enclosed field beyond. The converging shadows are intriguing. The composition recalls the earlier Hilder's Patch (private collection) of 1921, where the shadows of the line of trees are radiating out towards the picket fence.

The branches of the red willow are used for basket-making, which formerly included eel traps and cradles, and hurdles to form cattle pens.

Red Willows has not been seen in public since 1948.

We are very grateful to Patricia Reed for preparing the catalogue entries for lots 165 and 166.

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