A GEORGE III STATUARY MARBLE CHIMNEYPIECE
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A GEORGE III STATUARY MARBLE CHIMNEYPIECE

IN THE MANNER OF JOHN BACON (1740-99), CIRCA 1790 AND LATER

Details
A GEORGE III STATUARY MARBLE CHIMNEYPIECE
IN THE MANNER OF JOHN BACON (1740-99), CIRCA 1790 AND LATER
The moulded shelf above a frieze centred by a panel carved with figures of Venus and Andromache attended by a sacrificial lamb, the end blockings with seated figures of 'drawing' and 'painting' above the jambs with two Muses in lozenge panels, the opening with Siena marble panels with white mouldings, the Siena marble later
54¾ in. (139 cm.) high; 71¾ in. (182.2 cm.) wide; 7¾ in. (19.5 cm.) deep;
the opening: 39 1/8 in. (99.2 cm.) high; 41 in. (104 cm.) wide
Special notice
This lot will be removed to an off-site warehouse at the close of business on the day of sale - 2 weeks free storage

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Lot Essay

In addition to important public and corporate commissions, John Bacon's sculptor workshop, established in 1771, at 17 Newman Street, Marylebone, produced a range of chimney-pieces, garden sculpture, portrait busts and funerary monuments. The productivity of the workshop was based on Bacon's perfecting the use of a pointing machine that enabled his assistants to translate his models into full-scale works of sculpture, and the availability of a pattern book for clients to select a specific design. These practices brought an extraordinary amount of work and prosperity to the studio and his work was much admired by his clients, who were powerful and influential both within Britain and abroad.

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