A BERLIN PORCELAIN VIENNA STYLE IRIDESCENT-GREEN GROUND VASE, 'CLEMENTINE'
THE PROPERTY OF A NEW YORK GENTLEMAN
A BERLIN PORCELAIN VIENNA STYLE IRIDESCENT-GREEN GROUND VASE, 'CLEMENTINE'

LATE 19TH CENTURY, BLUE SCEPTRE MARK, IMPRESSED F, A AND 19, SIGNED N.(ACH) C.(ONRAD) KIESEL

Details
A BERLIN PORCELAIN VIENNA STYLE IRIDESCENT-GREEN GROUND VASE, 'CLEMENTINE'
LATE 19TH CENTURY, BLUE SCEPTRE MARK, IMPRESSED F, A AND 19, SIGNED N.(ACH) C.(ONRAD) KIESEL
Of waisted cylindrical form, finely painted after Kiesel with a bust-length portrait of the legendary beauty wearing a brocaded vest, within gilt foliate motifs in the Art Nouveau style
19 3/8 in. (49.2 cm.) high

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Lot Essay

Conrad Kiesel, German (1846-1921), trained as an architect and sculpture. Executed commissions for Wilhelm II and won an honorarium at the Berlin Academy of Art. The present subject, 'Clementine', is likely a role played by the actress Lola Montez.

The present lot is a portrait of the Irish born Marie Dolores Eliza Rosanna Gilbert (1818-1861) who was also known as 'Lola Montez, the Spanish dancer.' Following her first marriage to Lieutenant Thomas James, she embarked on a career as a dancer and actress. During her extensive travels throughout Europe she had numerous affairs with, amongst others, the composer Franz Liszt (1811-1886) and the Romantic novelist Alexandre Dumas (1802-1870).

In 1846 Lola Montez performed in Munich where Ludwig I of Bavaria could not resist her stunning beauty. He offered her a castle, which she duly accepted, and he raised her to Baroness Rosenthal and Countess of Lansfield. She remained his mistress until 1848 when the regime of Ludwig I collapsed and Lola fled to London, then to America and Australia, where she continued to perform.

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