A PAIR OF GEORGE III GILTWOOD GIRANDOLES
A PAIR OF GEORGE III GILTWOOD GIRANDOLES

CIRCA 1775, IN THE MANNER OF JOHN LINNELL

Details
A PAIR OF GEORGE III GILTWOOD GIRANDOLES
CIRCA 1775, IN THE MANNER OF JOHN LINNELL
Each with a heart-shaped plate in a molded frame carved with acanthus sprays, the cresting centered by a pierced anthemion and pendant husk swags, with tapering scroll base and two scrolled branches with gilt-metal drip-pans and nozzles suspended with glass pendant drops, the mirror plates probably later
33 in. (84 cm.) high, 18½ in. (47 cm.) wide (2)

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Lot Essay

This pair of Grecian palm-flowered and laurel-festooned pier-glasses, with Etruscan pearl-wreathed medallion frames, reflect the George III antique fashion promoted by the Rome-trained architect Robert Adam (d.1792). The heart-shaped frames relate to his girandole pattern of 1770 executed for Robert Child as Osterley Park, Middlesex by John Linnell (d.1796), the Berkeley Square cabinet-maker (M. Tomlin, Catalogue of Adam Period Furniture, London, 1982, pp. 32-33.). Further, they can be associated with a surviving 1773 design by John Linnell which featured a similarly framed oval girandole overmantel mirror crowned by a laurel-festooned sacred urn (see H Hayward, 'The Drawings of John Linnell in the Victoria & Albert Museum,' Furniture History, 1969, fig. 57).

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