A LATE LOUIS XV ORMOLU-MOUNTED EBONIZED BUREAU PLAT
A LATE LOUIS XV ORMOLU-MOUNTED EBONIZED BUREAU PLAT

BY PIERRE DENIZOT, CIRCA 1765, NOW FITTED WITH A SECRETAIRE DRAWER WITH CONSEQUENTIAL INTERNAL ALTERATIONS

Details
A LATE LOUIS XV ORMOLU-MOUNTED EBONIZED BUREAU PLAT
BY PIERRE DENIZOT, CIRCA 1765, NOW FITTED WITH A SECRETAIRE DRAWER WITH CONSEQUENTIAL INTERNAL ALTERATIONS
The rectangular top with an inset tooled-leather writing surface and an ormolu border above a hinged, pull-out frieze drawer inset with a tooled-leather writing surface, mounted with rosettes, lion masks, entrelac borders and flowering husks, on square tapering legs and toupie feet, stamped to the rear left of the underside P. Denizot and with a small printed paper label numbered 8037
33 in. (84 cm.) high, 63½ in. (161 cm.) wide, 34¼ in. (87 cm.) deep
Provenance
Purchased at auction in Paris in 1935 for FF20,000.
Property from the Wanamaker-De Heeren Collection; Sotheby's, New York, 8 May 2009, lot 147.
Literature
J. Nicolay, L'art et la manière des maîtres ebénistes francais au XVIIIe siècle, Paris, 1976, p. 75, fig. D.
Sale room notice
Please note that the estimate for this lot should read $40,000-60,000.

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Lot Essay

Pierre Denizot, maitre in 1740.

This impressive bureau plat, with its bold, classical inspired mounts on a stark ebonized ground, epitomizes the sober, architectural forms of the goût grec style of the 1760's. Indeed it was a bureau plat, the celebrated example designed by the peintre-dessinateur Louis-Joseph de Le Lorrain for Ange-Laurent de Lalive de Jully circa 1756-7 with à l'antique mounts by Philippe Caffieri on an ebony ground, which made a sensation as the first piece of furniture truly to be conceived in the new classical style. A select group of ébénistes grasped this new idiom, including Philippe-Claude Montigny, whose bureau plat with cartonnier in the collection of the Dukes of Bedford in Woburn Abbey, features a similar frieze of flower-filled entrelacs. Pierre Denizot was a versatile ébéniste whose clients included the Comte d'Artois and the Comte de Provence, brothers of Louis XVI.

THE PROVENANCE

Aimée de Heeren, the Brazilian-born beauty, married Rodman de Heeren, an heir to the Philadelphia Wanamaker department store fortune, in 1941, and they traveled widely and maintained homes in Biarritz, New York and Palm Beach. Mrs. de Heeren was known for her elegance, beauty and glamour, both in her dress and her decorating style.

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