Lot Essay
Though cast from a plaster Sentinel owes a palpable debt to the carvings of Barbara Hepworth in whose studio during the early 1950s Milne worked. The interior/exterior dialogue of Hepworth is repeated in Milne's piece which is a solid, robust form containing suggestions of an iconic head, a boat hull or even a gathering wave. Conceived in 1976, Sentinel harks back to Milne's early St. Ives carvings of the 1950s. Its mysterious presence, a function of an ambiguous, even metamorphic, abstraction coheres with Milne's general interest in Pagan, Classical or Islamic forms or in symbols that carry sacred associations.
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