A LOUIS XVI ORMOLU-MOUNTED TULIPWOOD, AMARANTH, SYCAMORE AND FRUITWOOD MARQUETRY TABLE-EN-CHIFFONIERE
THE PROPERTY OF A GENTLEMAN (LOTS 34 AND 35)
A LOUIS XVI ORMOLU-MOUNTED TULIPWOOD, AMARANTH, SYCAMORE AND FRUITWOOD MARQUETRY TABLE-EN-CHIFFONIERE

ATTRIBUTED TO GUILLAUME KEMP, CIRCA 1775

Details
A LOUIS XVI ORMOLU-MOUNTED TULIPWOOD, AMARANTH, SYCAMORE AND FRUITWOOD MARQUETRY TABLE-EN-CHIFFONIERE
ATTRIBUTED TO GUILLAUME KEMP, CIRCA 1775
Inlaid overall with a rosette-inset trellis pattern, the rectangular top with pierced three-quarter gallery, centred by a conformingly-inlaid checkered oval medallion, flanked by foliate spandrels, above a frieze drawer fitted with a gilt-tooled green leather lined writing slide and silvered inkwells, and two conformingly-inlaid further drawers, the sides and reverse similarly-decorated, on guttae and husk-headed square tapering legs with ormolu caps and ball feet, the legs probably reveneered
28¾ in. (73 cm.) high; 17¼ in. (43.5 cm.) wide; 12¾ in. (32 cm.) deep
Provenance
'The Alexander Collection: French Furniture, Boxes and Porcelain', Christie's, New York, 30 April 1999, lot 163.

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Lot Essay

This table-à-chiffonière is firmly attributable to the ébéniste Guillaume Kemp (maître in 1764) on the basis of a virtually identical example stamped by Kemp and later retailed by the celebrated English marchand-mercier Edward Holmes Baldock (sold 'Le Grand Goût', A Private European Collection, Christie's, London, 17 June 2009, lot 16).
Although this parquetry pattern was not exclusive to Kemp and shares much in common with the oeuvres of both RVLC (dit Lacroix) and Godefroy Dester, certain characteristics featured here allow us to differentiate Kemp's oeuvre from that of Dester of other fellow ébénistes. These are the oval medallion flanked by laurel reserves to the top and triple veneer bands which delineate the floret-inset lozenges.
A related example by Dester from the Rosebery/Rothschild Collection at Mentmore Towers, Buckinghamshire, sold Sotheby's house sale, 18 May 1977, lot 441 (ill. A. Pradère, French Furniture Makers, Paris, 1989, p. 330, fig. 382).

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