AN EARLY GEORGE III GILTWOOD MIRROR
AN EARLY GEORGE III GILTWOOD MIRROR

CIRCA 1760, IN THE MANNER OF THOMAS JOHNSON, PROBABLY IRISH

Details
AN EARLY GEORGE III GILTWOOD MIRROR
CIRCA 1760, IN THE MANNER OF THOMAS JOHNSON, PROBABLY IRISH
The later plate within a fluted frame forming two pilasters flanked by rose trails, the rounded upper corners carved with rockwork and pierced C-scrolls, surmounted by a conforming cresting with a ho-ho bird, the pierced apron with three swans within confronting C-scrolls, the backboards branded 5836 and 12286, re-gilt
62½ x 30 in. (159 x 76 cm.)
Provenance
Anonymous sale; Christie's London, 28 June 1979, lot 18.

Brought to you by

Alexandra Cruden
Alexandra Cruden

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Lot Essay

The Grafton Street carver and designer Thomas Johnson's (1714-c. 1778) influence on furniture production of the mid-18th century was effected through his publication of various designs - Twelve Girandoles (1755), One Hundred and Fifty New Designs (1758), A New Room of Ornaments (1760) and A New Book of Ornaments... Useful for Youth to Draw After (1762). His publications demonstrated a particular fondness for natural beauty and he often incorporated birds, animals and foliate forms into his designs for mirrors, picture frames, console tables and other items.

THE GILDING
An analysis of the decoration reveals that the mirror was completely stripped prior to the present water gilding being applied. The reverse and edges show signs of at least four earlier layers of decoration, with the different gesso and yellow ochre layers to the back separated by coats of dirt.

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