Frederick Morgan (1847-1927)
The Property of Alder Hey Children's Hospital, Liverpool. This painting is being sold to enhance the Arts in the new Alder Hey in the Park. A message from Alder Hey Children's Hospital Our hospital is one hundred years old and is no longer suitable for delivering 21st century healthcare to children and young people. The new hospital is being built in half of the adjacent park and will open in 2015. Following the old hospital's demolition, Springfield Park will be restored to full size and the rest of the land will become parkland and gardens accessible to all. Alder Hey in the Park's design was inspired by patients, their families and staff. Their overriding wish was that it connected very closely with nature. Views are into the park and gardens between the three 'fingers' of wards and departments, connected by a full height atrium. Our lead artist has worked with patients to create welcoming designs and sculptures inspired by nature to enhance the hospital internally and externally. Our participatory arts programme supports patients, their families and healthcare delivery with a positive experience of hospital through music, dance, storytelling, film animation and the visual arts. They tell us that our arts programme makes a profound difference. The performance space and Audio-Visual studio in the atrium will allow patients to experience the arts from their beds.
Frederick Morgan (1847-1927)

First steps

Details
Frederick Morgan (1847-1927)
First steps
signed 'Fred. Morgan' (lower left)
oil on canvas
27 x 36¼ in. (68.6 x 92 cm.)
Literature
Bibby's Annual no. 5, Summer 1910, p. 43, (illustrated in colour).

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Lot Essay

Morgan was the eldest child of John Morgan, a member of the Royal Society of British Artists, from whom he learnt his trade. His mother Henrietta did not want the young Fred to follow the precarious life of an artist so he was sent to London to seek office employment in the City. Very soon he returned to his family in Aylesbury, Buckinghamshire and fortunately found work as a portrait artist attached to a photographer where for three years he developed his portrait skill.

He began to exhibit large canvases at the Royal Academy in the early 1870s and soon found a patron in the London and Liverpool art dealers Messrs. Agnew & Son to whom he sold most of his works. These early canvases depicted rural toil and struggle, but even then his sympathetic portrayal of children was evident.

By the 1880s, Morgan had found his métier, and now is best remembered to posterity for his masterful portrayal of the scenes of late Victorian and Edwardian family life.

We are grateful to Terry Parker for his help in preparing this catalogue entry.

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