Audio: Kenneth Martin, Oscillation
Kenneth Martin (1905-1984)
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Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Kenneth Martin (1905-1984)

Oscillation

Details
Kenneth Martin (1905-1984)
Oscillation
brass mounted on a white-painted wooden base, unique
9¼ in. (23.5 cm.) high, including base
Conceived circa 1961-64.
Provenance
Acquired direct from the artist by Sir Norman Reid in the early 1970s, and by descent.
Exhibited
Oxford, Arts Council of Great Britain, Museum of Modern Art, Kenneth and Mary Martin, May 1970, no. 36, as 'Construction in Aluminium, Cambridge (Maquette)': this exhibition travelled to Eastbourne, Towner Art Gallery, June - July 1970; Exeter, Royal Albert Memorial Museum, July - August 1970; Leeds, City Art Gallery, August - September 1970; Wolverhampton, Municipal Art Gallery and Museum, September - October 1970; Manchester, Polytechnic, October 1970; Sheffield, Mappin Art Gallery, November 1970; Hull, Ferens Art Gallery, December 1970 - January 1971; Norwich, Castle Museum, January 1971; Edinburgh, Scottish Arts Council Gallery, February 1971; Cardiff, Welsh Arts Council Gallery, March 1971; and Bristol, City Art Gallery, March 1971.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

Brought to you by

Anne Haasjes
Anne Haasjes

Lot Essay

Oscillation was part of a series, another of which is in the collection of Tate, London. The series subsequently inspired Construction in Aluminium, 1967, an imposing metal sculpture located on Trumpington Street, Cambridge near the Fitzwilliam Museum. While the large-scale work was constructed with the aid of the Engineering Department’s workshop, the present work was constructed on this small scale directly by Kenneth Martin. Though at first it appears to be an entirely abstract piece, its curvaceous form takes its inspiration from a formula for a helical screw propeller. Thus, the sculpture marries Kenneth Martin’s modernist passion for geometrical abstraction with his interests in innovation and technical advancement. Oscillation acts as a strong example of Martin’s mature style as he produced his first abstract paintings in 1948–9 and constructions in 1951. It is during the 1950s and 1960s that Martin’s role as an important abstract artist was solidified through his exposure in a number of prominent exhibitions during these decades including the renowned This is Tomorrow at the Whitechapel Art Gallery.

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